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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Ars Electronica 2020








September 11 through Sun 13 September 2020,

Online festival

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Research
Innovation






Ars Electronica 2020

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Challenging the limits of AI for the next generation of co-creative tools
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IRCAM AIxMusic garden will display multidisciplinary views of both the scientific and creative research carried out on AI.

It will feature six events: 

Friday, September 11, 4:00pm - 4:05pm (UTC +2)
AI Creative Agents: The Man I Love
a video featuring the Improtek project interpreted by Hervé Sellin (FR) and Remi Fox (FR);

Friday, September 11, 4:05pm - 4:25pm (UTC +2)
Three Ladies Project
performance by artist Georges Bloch featuring the DYCI2Lib technology at Manifeste 2020.

Friday, September 11, 4:25pm - 4:30pm (UTC +2)
Little Etudes for Piano
 
a performance by Elaine Chew (FR) a series of short piano pieces based on cardiac electrical anomalies each described by Pier Lambiase (UK);

Friday, September 11, 5:00pm - 6:17pm (UTC +2)
Talk : Musical Generativities
a discussion panel In the framework of the Forum Vertigo 2020;

  • Facilitator: Hugues Vinet (FR), Director of Innovation and Research
  • With Douglas Eck (US), Principal Scientist, Google Research
  • Erin Gee, Composer and Professor, Brandeis University
  • Giulia Lorusso (IT), Composer / Alessandro Rudi, Researcher, INRIA and École Normale Supérieure
  • Jérôme Nika (FR), Researcher
  • Alexander Schubert (DE), Musician, Performer, Composer

Saturday, September 12, 6:00pm - 7:00pm (UTC +2)
Can we do the same with less – AI in 64 Kb

a hands-on workshop in English for the AIxMusic Hackathon by Philippe Esling (FR) introducing techniques for lightweight AI and demonstration of embedded technologies;

Sunday, September 13, 1:35pm - 2:25pm (UTC +2)
Frontiers
of Music and Artificial Intelligence 
a panel organized by Elaine Chew (FR), and discussions with Dorien Herremans (BE) and Philippe Esling (FR);

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IRCAM – CNRS UMR 9912 STMS – Sorbonne Université / Equipe représentations musicales – Groupe ACIDS / The AIxMusic Festival, a S+T+ARTS flagship event, is organised by Ars Electronica and the European Commission.
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