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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • The Good Vibration 2020








December 5 through Sun 20 December 2020,
3 p.m.
Contemporay Culture Lab : C-LAB
Cantine
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Creation
Festival






The Good Vibration 2020

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IRCAM signed a Cultural Cooperation Agreement with the C-LAB in Taiwan (2020-2027) to contribute to the constitution of the Taiwan Sound Lab. Good Vibration 2020 brings together concerts and IRCAM Forum Workshops around the themes of “music and improvisation” and “spatial sound and virtual reality”. This series of events will take place successively this December. The “Good Vibration 2020” will start from 4th to 5th December, and the “IRCAM Manifeste and Forum” will be broadcasted online from 7th to 20th December. By the end of 2020, the C-LAB expects to offer people multi-dimensional experiences of music and sound through diverse performances, appreciation and analysis of works, as well as discussions about contemporary musical aesthetics. By virtue of artistic and cultural events, moreover, the C-LAB looks forward to boosting people’s morale to embrace the upcoming year!

*Concerts

Saturday 5th december
3pm-4pm

Chang Tzu-Chieh violon
Eric Daubresse, Benoit Meudic IRCAM Computer Design

Unsuk Chin Double Bind?
Michael Jarrell Dornröschen (Nachlese IVb)

7pm-8pm

Yen Hua-Rong piano
Cort Lippe IRCAM Computer Design
Philippe Manoury Pluton 

**IRCAM Forum workshops 

From Monday 7th to Sunday 20th december

Music and Improvisation 

Georges Bloch

Jérome Nika


Spatialization and Virtual Reality
Daniele Ghisi

Markus Noisternig

Greg Beller

***ManiFeste-2020 concerts broadcast

On the Taiwan Contemporary Culture Lab C-Lab YouTube channel:
https://www.youtube.com/channel/UCLjxcL20jZI8MCnZzzVIBoQ

From Monday 7th to Sunday 13th december

Concert d'Ouverture 
Professor Bad Trip
Concert du Cursus 1 & 2

From Monday 14th to Sunday 20th december

Concert du Quatuor Tana
Speech
Voce 1 & 2

Edit
  • C-LAB Sound Festival  © DR
    C-LAB Sound Festival © DR
  • Philippe Manoury  © Tomoko Hidaki
    Philippe Manoury © Tomoko Hidaki
  • Unsuk Chin  © Luc Hossepied
    Unsuk Chin © Luc Hossepied
  • Michael Jarrell  © C. Daguet / Editions Henry Lemoine
    Michael Jarrell © C. Daguet / Editions Henry Lemoine

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News
Creation

IRCAM signs a Cooperation Agreement with the C-LAB in Taiwan

Article
IRCAM signs a Cultural Cooperation Agreement with the C-LAB in Taiwan (2020-2027) to contribute to the constitution of the Taiwan Sound Lab
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