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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Musique-Fiction n°1: Naissance d'un pont by Maylis de Kerangal [POSTPONED]








Sat 21 November 2020,
Sun 22 November 2020,
Sat 28 November 2020,
3 p.m.
T2G - Théâtre de Gennevilliers
Dôme
Prices

Free Entry

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Creation
Installation






Musique-Fiction n°1: Naissance d'un pont by Maylis de Kerangal [POSTPONED]

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Premiere 2020
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Musiques-Fictions is the collection launched by IRCAM in 2020: a program where musical creation is in direct contact with literary fiction. These music-fictions combine a text—primarily by a contemporary author—original music linked to the senses of fiction, a director, and actors. Giving musical writing its full place but preserving the text's intelligibility: Musiques-Fictions intends to renew the genre of the radio fiction or Hörspiel by going beyond a simple sound illustration of a story or dialogue.

In an immersive space, under the Ambisonic dome, where imagination is solicited by the sound environment created, the listener is invited to a shared listening experience.

First episode of "Naissance d'un pont" series by Maylis de Kerangal
Maylis de Kerangal text
Daniele Ghisi
music, commissioned by IRCAM-Centre Pompidou, and direction
Jacques Vinceyactors direction, adaptation, and production
Emmanuelle Zolladaptation and director of the Musiques-Fictions collection
Jérémie Henrotsound engineering
Thibaut Carpentierscientific advisor CNRS-STMS

With the voices of François Chattot (Georges Diderot)
Marie-Sophie Ferdane (Summer Diamantis)
Laurent Poitrenaux (Sanche Alphonse Cameron)

IRCAM Ambisonic system conception:
Claudio Cavallari, Lenaic Pujol scenography and lights
Jérémie Henrot, Clément Mariesound engineering

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Coproduction IRCAM-Centre Pompidou, Centre dramatique national de Tours | With the support of the Sacem
  • Musiques-Fictions au Centre Pompidou (Festival ManiFeste-2020)  © Hervé Veronese
    Musiques-Fictions au Centre Pompidou (Festival ManiFeste-2020) © Hervé Veronese
  • The Ambisonics dome  © Hervé Veronese
    The Ambisonics dome © Hervé Veronese
  • Maylis de Kerangal  © Francesca Mantovani
    Maylis de Kerangal © Francesca Mantovani
  • Daniele Ghisi  © Ircam, Deborah Lopatin
    Daniele Ghisi © Ircam, Deborah Lopatin

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