Archives

by Ashley Fure

by Lorenzo Bianchi Hoesch

Workshops, presentations and scientifics conferences as a part of the Darmstadt Summer Course

Workshop on Human-Machine Collaboration in Embodied Interaction

of Chaya Czernowin

by Sampo Haapamäki

with the Ensemble intercontemporain, the Ensemble ULYSSES conducted by Beat Furrer

by Franck Bedrossian, Lorenzo Bianchi Hoesch, Stefano Gervasoni, Emanuele Palumbo & Frédéric Le Bel

with the Ensemble Links

with the Quatuor Arditti, Alva Noto and Ryuichi Sakamoto

with young dancer-choreographers and improv musicians

with the Orchestre Philharmonique de Radio France and the Ensemble ULYSSES

Discussion about the current role of sound in the museaum context

by OpenEndedGroup & Natasha Barrett

by Fernando Munizaga and Florence Baschet

by Jonathan Capdevielle

with Marion Tassou and L'Instant Donné

by Daniel Jeanneteau with Thibault Lac and Laurent Poitrenaux

Students of IRCAM Cursus program

by Hèctor Parra

In connection with the exhibition “Ryoji Ikeda” at the Centre Pompidou

In connection with the exhibition “Ryoji Ikeda” at the Centre Pompidou

As a part of the Forum Vertigo: Code-Decode the World

In connection with the exhibition “Ryoji Ikeda” at the Centre Pompidou

As a part of the Forum Vertigo: Code-Decode the World

by Hèctor Parra with the Ensemble intercontemporain and the Orchestre National de Lille

As a part of the Forum Vertigo: Code-Decode the World

As a part of the Forum Vertigo: Code-Decode the World

As a part of the Forum Vertigo: Code-Decode the World

Profitez du Forum Vertigo pour découvrir deux œuvres de l’initiative STARTS Residencies

with Juliet Fraser, Donatienne Michel-Dansac and Juliette Raffin-Gay

de Marko Nikodijevic et Robert Henke

by Jean-François Peyret with Jeanne Balibar, Jacques Bonnaffé, Victor Lenoble and Joël Maillard

Following Objects, Exploring Sources

de Roland Auzet avec Irène Jacob

avec Florentin Ginot

with Donatienne Michel-Dansac, Richard Dubelski, Johanne Saunier, Lionel Peintre

Spacetime Programming: A Synchronous Language for Constraint Search

by Moreno Andreatta, director of research CNRS, IRCAM-STMS-Sorbonne Université

This first seminar is about the relationships between music and nature

by Thomas Hauert

by Jonathan Capdevielle

by Hèctor Parra

Studios of Creation

with Ada Ackerman, Alain Prochiantz, Anne-Laure Boch, Frank Madlener, Jean-François Peyret...

with the participation of the Interaction Sound Music Movement team from IRCAM

by Jonathan Capdevielle

with Carmine Emanuele Cella and Serge Lemouton

de Roland Auzet

with Matteo Cesari, Clément Himbert and Jonathan Prager

Jean-Claude Risset: Interdisciplinarity

by Franck Bedrossian

by Stefano Gervasoni, based on Amália Rodrigues

with David Monacchi—artistic research residency at IRCAM

by Jean-François Peyret and Daniele Ghisi

With researchers who have been marked by this thought which radically renewed the way of understandi

with Daniele Ghisi

Learn to use Max via Ableton Live

IRCAM opens its doors Saturday, April 7 for a new installment of “Studio 5, en direct” on the artist

de Marco Momi avec Quartetto Prometeo

by Jean-François Peyret and Daniele Ghisi

by Jonathan Capdevielle

with Garth Paine—artistic research residency at IRCAM

Session 2 - Improve your knowledge and mastery of Max

by Núria Giménez-Comas

The Opposition between Modernities and “Contemporarilsm” since 1968

by Núria Giménez-Comas

Conceive and create interactive performances and installations with Web technologies.

IRCAM’s studios open their doors to welcome you for a third “Studio 5, Live” dedicated to gesture an

by Violeta Cruz and Jos Houben

Electronic musicians and performance of a major artist

Meeting with the Forum members and all the innovative tech aficionados in the field of sound and mus

The synthesis of singing between science and musical creation

by Alberto Posadas

by Jonathan Capdevielle

by Thomas Hauert

Gesture as the Source for Musicality

by Thomas Hauert

by Jean-François Peyret and Daniele Ghisi

Session 2 - Learn the basics of programming in Max

From the Singularity of Living to Mathesis Singularis

by Jean-François Peyret and Daniele Ghisi

by Jonathan Capdevielle

Alex Augier, Paul Jebanasam & Tarik Barro, Daniele Ghisi & Boris Labbé, Rune Glerup, Alexander Schub

Digital disruption has transformed our society, including the domains of musical production and dist

Understand and master IRCAM’s software for editing and creating sound

by Jonathan Capdevielle

by Jean-François Peyret and Daniele Ghisi

How does music resonate with other schools of thought? With languages and poetry (Babel), with mathe

Hanspeter Kyburz, Stefano Gervasoni, Beat Furrer, George Benjamin with the Lemanic Modern Ensemble

The IRCAM studios open their doors for a second “Studio 5, Live” event this time entirely dedicated

by Jonathan Capdevielle

Tuesday, December 19, 2017 at 2pm: "Music Across Music: Towards a Corpus-Based, Interactive Computer

Tuesday, December 19, 2017 at 10am: "Conception of a noise annoyance diagnostic tool in urban areas"

Clinton Watkins will present a range of recent video and sound projects, discuss the philosophy of m

by Violeta Cruz and Jos Houben

Improtech Paris - Philly (ikPP) gathers scholars, technologists, musicians, makers, around the idea

In Le Encantadas o le avventure nel mare delle meraviglie (2015), Olga Neuwirth invited the audience

Mathematical, Music, Philosophy

Discover and master the basics of IRCAM’s Spatialisateur

Une librairie dédiée à la génération de code de simulation à passivité garantie de systèmes multiphy

Wednesday, November 29, 2017 at 2pm: "Interplay between multisensory integration and social interact

with Igor Contreras and Laurent Feneyrou

by Jonathan Capdevielle

by Philippe Manoury and Nicolas Stemann

by Olga Neuwirth

"Mathematicals, Philosophy and Music of Today"

The composers from the Cursus program in composition and computer music present 10 works with electr

Discover Computer-Assisted Composition – From Calculations to Music

by Hugues Dufourt with the Ensemble Recherche

To continue the themes of the conference Musique & Hacking: Instruments, Communities, Ethics, IRCAM

by Emmanuelle Lafon and Joris Lacoste

Organized in conjunction with the musée du quai Branly, the symposium Music & Hacking: Instruments,

by Philippe Manoury and Nicolas Stemann

by Giulia Lorusso and Emanuele Palumbo

by Ashley Fure and Mauro Lanza

Session 1 - Learn the basics of programming in Max

by Alexander Schubert

with the Multilatérale Ensemble

Mathematical, Music, Philosophy

by Philippe Manoury and Nicolas Stemann

by Pierre Boulez

A part of the Fête de la science 2017 Composers and researchers invite you to the prototype factory

As part of the Forum Workshops

by Pierre Boulez

by Olga Neuwirth

by Alexander Schubert

by Philippe Manoury and Nicolas Stemann

by Daniel Jeanneteau on a text of Maurice Maeterlinck

by Ashley Fure and Mauro Lanza

Alexander Schubert, Enno Poppe, Iannis Xenakis, Tolga Tüzün

by Daniel Jeanneteau on a music of Daniele Ghisi and a text of Yoann Thommerel

with Emmanuelle Lizère

with Emmanuelle Lizère

director Jean-Philippe Wurtz

by Philippe Manoury and Nicolas Stemann

From electric luthiers to live electronics

By Alberto Posadas

Director Jonathan Berman

de Guy Cassiers