• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Mon corps parle tout seul








September 14 through Mon 25 September 2017,
T2G - Théâtre de Gennevilliers
Plateau 2

Free, reservations required: billetterie(@)tgcdn.com

Detailed schedules
Thu
,Fri, Mon 6-7:30pm
Sat 4-5:30pm & 7:30-8:30pm
Sun 2-4pm & 5:30-6:30pm

Edit
Creation
Installation






Mon corps parle tout seul

Edit






Mon corps parle tout seul brings together an author, Yoann Thommerel, a composer passionate for sculpture and electronics¬, Daniele Ghisi, and the director Daniel Jeanneteau. Speaking by itself? The mouth that speaks is a video projection; the screen, a natural element, words, an electronic landscape that absorbs meaning. Thus, the spectator climbs the invisible frontier between installation and live performance.

Daniel Jeanneteau direction and scenography
Daniele Ghisi music, commissioned by IRCAM-Centre Pompidou,
IRCAM computer music design
Yoann Thommerel text
Olivier Brichet assistant direction and scenography
Tom Huet artistic collaboration
Mammar Benranou video
Emmanuelle Lafon actress

Edit
An IRCAM-Centre Pompidou, Studio-Théâtre de Vitry coproduction. Coproduction of the new production by IRCAM-Centre Pompidou, T2G -Théâtre de Gennevilliers CNDCC.
  • Mon corps parle tout seul  © Joséphine Brueder
    Mon corps parle tout seul © Joséphine Brueder
  • Mon corps parle tout seul  © Joséphine Brueder
    Mon corps parle tout seul © Joséphine Brueder
  • Mon corps parle tout seul  © Joséphine Brueder
    Mon corps parle tout seul © Joséphine Brueder

To see before or after

Théâtre
Creation

Les Aveugles

16 September to 25 September 2017
T2G - Théâtre de Gennevilliers
by Daniel Jeanneteau on a text of Maurice Maeterlinck
Concert
Creation

Rebonds et artifices

15 September to 16 September 2017
T2G - Théâtre de Gennevilliers
Alexander Schubert, Enno Poppe, Iannis Xenakis, Tolga Tüzün
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