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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
    • Solo and amplification
    • Collaboratory Cine-concert - Percussion and electronics
    • Auditors
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Kein Licht








Wed 18 October 2017,
8 p.m., Thu 19 October 2017,
8 p.m., Sat 21 October 2017,
8 p.m., Sun 22 October 2017,
3 p.m.
Opéra Comique
Prices

Full : 65 €
Discount Price and IRCAM Card (serie C) : 52 €

Edit
Creation
Opera






Kein Licht

Edit






Premiere 2017
Edit






Kein Licht is inspired by the catastrophe in Fukushima. On March 11, 2011, an earthquake and the resulting tsunami ravaged the east coast of Japan. Two reactors at the Fukushima nuclear power plant experienced a meltdown and threatened the environment. Reacting to this worldwide trauma, Elfriede Jelinek, Austrian winner of the Nobel Prize in Literature wrote a long monologue on horror, pain, loss, and anger. Beginning with this material, the young German director Nicolas Stemann, familiar with Jelinek and the composer Philippe Manoury, brought together by the Opéra Comique, have imagined an opera on the interactions between actors and musicians, between acoustic and computing, between spoken and sung. What life faced with technology, what collective faced with the opera? A dramatic perspective in which an institution on advanced technology, IRCAM, takes part.

Commissioned by the Opéra Comique - Opera in German subtitled in French

Philippe Manoury music
Elfriede Jelinek text
Julien Leroy conductor
Nicolas Stemann director
Katrin Nottrodt stage design
Claudia Lehmann video
Marysol del Castillo costumes
Rainer Casper lighting
Thomas Goepfer  IRCAM Computer-Music design

Christophe Manien choir master
Christèle Ortu assistant director
Émilie Cognard assistante stage design
Clémentine Tonnelier assistante costumes
Ruth Orthmann translator

Sarah Maria Sun soprano
Olivia Vermeulen mezzo-soprano
Christina Daletska contralto
Lionel Peintre baritone

Caroline Peters, Niels Bormann actors

Choeur du National Theater in Zagreb vocal quartet
United instruments of Lucilin

This spectacle is presented as a part of the 40th anniversary of IRCAM-Centre Pompidou.

Edit
An Opéra Comique production. Coproduced by Ruhrtriennale, Festival Musica de Strasbourg, Opéra National du Rhin, Théâtre National Croate de Zagreb, Les Théâtres de la Ville de Luxembourg, IRCAM–Centre Pompidou, United instruments of Lucilin, Münchner Kammerspiele, and 105 individual donors. With the support of the Fonds de création lyrique, d’Impuls neue Musik, Fonds franco-allemand pour la musique contemporain, and Fedora.
  • Kein Licht  © Klara Beck - ONR 2017
    Kein Licht © Klara Beck - ONR 2017
  • Kein Licht  © Klara Beck - ONR 2017
    Kein Licht © Klara Beck - ONR 2017
  • Kein Licht  © Klara Beck - ONR 2017
    Kein Licht © Klara Beck - ONR 2017
  • Kein Licht avec Caroline Peters et Niels Bormann  © Caroline Seidel
    Kein Licht avec Caroline Peters et Niels Bormann © Caroline Seidel
  • En studio à l'Ircam, Philippe Manoury et Nicolas Stemann  © Jérémie Szpirglas
    En studio à l'Ircam, Philippe Manoury et Nicolas Stemann © Jérémie Szpirglas
  • Caroline Peters, actrice  © Jérémie Szpirglas
    Caroline Peters, actrice © Jérémie Szpirglas
  • Philippe Manoury et Thomas Goepfer en studio à l'Ircam  © Jérémie Szpirglas
    Philippe Manoury et Thomas Goepfer en studio à l'Ircam © Jérémie Szpirglas

Before the Show

Introduction to the opera

Presentation of the production at 7.30pm with historical and musical descriptions (in french) with Agnès Terrier.
Free entry upon presentation of your ticket.

Sing Kein Licht

Sing the opéra at 7.15 pm with Christophe Grapperon on October 19 & 21 and Jeanne Dambreville on October 18 & 22.
Free entry upon presentation of your ticket.

Meet the artists

Meet the artists of the production on Saturday 21 October at 4 pm.
Free. Reservations required.

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