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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • VxH - La Voix humaine








Thu 7 June 2018,
8 p.m., Fri 8 June 2018,
8 p.m., Sat 9 June 2018,
5 p.m., 8 p.m.,
Sun 10 June 2018,
5 p.m.
Le CENTQUATRE-PARIS
salle 400
Downloads

prg_voix_humaine.pdf

Prices

Full : 18 €
Discount Price : 15 €
ManiFeste & Young Cards : 10 €

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Creation
Théâtre






VxH - La Voix humaine

Edit






Premiere 2018
Edit






In the beginning, there was La Voix humaine by Jean Cocteau. The subject is that of a gaping absence. Then, Disappear here by Falk Richter. A poem that questions this same abyss….  
The audience is submerged in the depths of a particular system that reveals the extreme solitude of she who carries the performance: a manner of exploring every possible axis of perception. See and not be seen, steal viewpoints and perspectives, Roland Auzet rewrites the relationship between the public and the narrative stage.

JEAN COCTEAU LA VOIX HUMAINE
FALK RICHTER DISAPPEAR HERE

Roland Auzet conception, music, director, co-commissioned by IRCAM-Centre Pompidou and the Festival Aujourd’hui Musiques du Théâtre de l’Archipel, scène nationale de Perpignan, Premiere 2018
Irène Jacob actress
Valérie Philippin soprano (voice recorded in studio at IRCAM)
Joëlle Bouvier artistic collaborator & choreographer 
Daniele Guaschino IRCAM computer music design 
Bernard Revel lighting design

Edit
Production Act Opus. Coproduction IRCAM-Centre Pompidou, MA scène nationale – Pays de Montbéliard. Act Opus is supported by the ministère de la Culture – DRAC Auvergne-Rhône-Alpes and the Région Auvergne-Rhône-Alpes. Co-organized by Le CENTQUATRE-PARIS and IRCAM-Centre Pompidou. IRCAM and the CENTQUATRE-PARIS are partners for experimental performance projects.
  • Roland Auzet  © Nandit Desai
    Roland Auzet © Nandit Desai
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Irène Jacob  © Richard Schroeder
    Irène Jacob © Richard Schroeder
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