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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
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    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • IRCAM Talks #004 - Fragments of Extinction








Thu 12 April 2018,
noon
Ircam
salle Stravinsky

Free entry, limited seat available.

Conference in english.

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Encounter






IRCAM Talks #004 - Fragments of Extinction

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Using advanced 3D recording technologies, tested in the deep equatorial forest, the eco-composer David Monacchi endeavors to gather, study, and play soundscapes of a still-intact biodiversity in the goal of conservation with his project Fragments de l’extinction.

This artistic research residency, organized by the Acoustic and Cognitive Spaces team at IRCAM and ZKM, examines the data collected during recordings in situ, in the virgin forests of the Amazon and Borneo. It explores the sonic complexity of these ecosystems. The aim is to demonstrate how, using a recording of places that are still preserved, we can extract data used for bioacoustics and ecological explorations while building an alphabet for a new “musical” language based on the analysis and re-composition of a veritable ecosystem.

This seminar presents the composer’s long-time project.

David Monacchi (Italy) is a music fellow at the Cité internationale des arts, in partnership with IRCAM and Centre d’art et de technologie des médias de Karlsruhe (ZKM).

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  • http://forumnet.ircam.fr/event/fragments-of-extinction/

IRCAM Talks

This new conference series lets the audience explore the creative process behind a work, discover the latest experiments in sound design, and talk with a range of actors in the musical research field. Sound professionals, artists, scientists, makers, students: don’t miss this new event!


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