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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • IRCAM Forum Workshops








March 7 through Fri 9 March 2018,
10 a.m.- 6 p.m.
Ircam

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IRCAM Forum Workshops

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For 25 years, the IRCAM Forum Workshops have been the meeting point to discover new technologies for sound professionals and music enthusiasts. These 3 days offer artists, scientists, and startups from around the world the possibility of presenting their latest works, to share their experiences, and to discover the most up to date audio technologies.

The 2018 edition features the following themes:

New instruments, 
Collective interaction & geolocalization, 
Artificial intelligence, 
Sound design, 
Bio-art & music therapy, 
Sound spatialization, 
Connections between musical notation and audio perception.

A huge number of sessions presented in a wide range of formats: conferences, installations, demos

Every year, the IRCAM Forum Workshops are the opportunity for the institute to unveil its latest research findings:

ZIGGY the algorithm that makes the voice smile, 
ISIS makes it possible to synthesize a voice that sings like Piaf or Gréco, 
KIWI is a musical creation environment that lets you work collaboratively, in real-time, 
SAMPO a system that expands the musical possibilities of an instrument to play mixed music.

Hands-on workshops on IRCAM software programs will also be held.

More than a simple place for discussions, learning, and discovery, the IRCAM Forum Workshops are a fun, community event. Following the announcement of the winners of IRCAM’s artistic residencies, the IRCAM Live concert will feature artists who play with the codes of the digital era: Alexander Schubert, Franck Vigroux & AntoineSchmitt. This exceptional electro evening, created during the IRCAM Forum Workshops, is produced in conjunction with the Spectacles vivants du Centre Pompidou.

We look forward to welcoming sound professionals, students, all those interested in sound and other music techno-enthusiasts for a marathon of discoveries and innovations. Register today on the IRCAM Forum website.

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  • http://forum.ircam.fr

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Ircam Live

Wednesday 7 March 2018
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