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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Stockhausen 2








Fri 29 June 2018,
8:30 p.m.
Centre Pompidou
Grande salle
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prg_stockhausen_2.pdf

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Full : 18 €
Discount Price : 14 €
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Stockhausen 2

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Nearly 60 years after its premiere, Stockhausen's Kontakte has maintained its pioneering strength and seduction of the first time. Novel in its form and material, Kontakte invents a sonic continuum between the piano, percussion, and an electronic tape; a continuum of nature between pitch and rythme, a continuum of thought between the studio and the concert stage. Stockhausen's experience was pivitol for Michaël Levinas who's magistral studio for a piano we hear here. Didier Rotella, both pianist and composer, imagines in his work a space created from an augmented instrument: an intersection of sources, delayed re-injections, continual transformation, and catharsis between two percussions and two pianos, the identities of which have been blurred. 

Ensemble Links
Benjamin Lévy, Augustin Muller IRCAM computer music design

DIDIER ROTELLA CATHARSIS, commissioned by IRCAM-Centre Pompidou, Premiere 2018
MICHAËL LEVINAS ÉTUDES SUR UN PIANO ESPACE
KARLHEINZ STOCKHAUSEN KONTAKTE

In connection with the exhibition "Coder le monde" at the Centre Pompidou.

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Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou, ensemble Links. With the support of the Sacem.
  • Karlheinz Stockhausen  © Karlheinzstockhausen.org
    Karlheinz Stockhausen © Karlheinzstockhausen.org
  • Didier Rotella, en studio à l'Ircam  © Déborah Lopatin
    Didier Rotella, en studio à l'Ircam © Déborah Lopatin
  • Didier Rotella et Benjamin Lévy, en studio à l'Ircam  © Déborah Lopatin
    Didier Rotella et Benjamin Lévy, en studio à l'Ircam © Déborah Lopatin
  • Michaël Levinas  © C.Daguet / Editions Henry Lemoine
    Michaël Levinas © C.Daguet / Editions Henry Lemoine
  • Ensemble Links
    Ensemble Links
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