Réplicas - La Muette

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This evening’s double program is dedicated to a fighting voice: theatrical or musical. The epic voice of the Iliade and the turmoil of bodys on the battlefield in the In Vivo Théâtre workshop conceived by Daniel Jeanneteau. The altered, translated, and metamorpohosed voice, imagined by the young Chilian composer Fernando Munizaga in his research at IRCAM: a "replica" that is both sismic and linguistic. The voice of La Muette that resits its own mutation, that resists the regime of the mullahs in Iran in a fleeting encounter between the text by Chahdortt Djavann and the composition Florence Baschet. The dramaturgic tension, the flow of the singing in Farsi is found throughout the electroacoustic score. "It is important for me that a composer, like an author, can invest their work in problems they encounter as a direct witness." (Florence Baschet.) Donatienne Michel-Dansac soprano Marina Ruiz soprano Yann Boudaud actor Ensemble Court-circuit Jean Deroyer conductor Olivier Brichet set design Catherine Verheyde lighting Carlo Laurenzi, Serge Lemouton IRCAM computer music design FERNANDO MUNIZAGA RÉPLICAS, based on a text by Irène Gayraud et Outranspo, commissioned by IRCAM-Centre Pompidou, Premiere 2018 FLORENCE BASCHET LA MUETTE, libretto based on La Muette by Chahdortt Djavann, éditions Flammarion, 2008, French translation of the Farsi by Baharé Khadjé-Nouri In connection with the exhibition "Coder le monde" at the Centre Pompidou.

This evening’s double program is dedicated to a fighting voice: theatrical or musical. The epic voice of the Iliade and the turmoil of bodys on the battlefield in the In Vivo Théâtre workshop conceived by Daniel Jeanneteau. The altered, translated, and metamorpohosed voice, imagined by the young Chilian composer Fernando Munizaga in his research at IRCAM: a "replica" that is both sismic and linguistic. The voice of La Muette that resits its own mutation, that resists the regime of the mullahs in Iran in a fleeting encounter between the text by Chahdortt Djavann and the composition Florence Baschet. The dramaturgic tension, the flow of the singing in Farsi is found throughout the electroacoustic score. "It is important for me that a composer, like an author, can invest their work in problems they encounter as a direct witness." (Florence Baschet.)

Donatienne Michel-Dansac soprano
Marina Ruiz soprano
Yann Boudaud actor
Ensemble Court-circuit
Jean Deroyer conductor
Olivier Brichet set design
Catherine Verheyde lighting
Carlo Laurenzi, Serge Lemouton IRCAM computer music design

FERNANDO MUNIZAGA RÉPLICAS, based on a text by Irène Gayraud et Outranspo, commissioned by IRCAM-Centre Pompidou, Premiere 2018
FLORENCE BASCHET LA MUETTE, libretto based on La Muette by Chahdortt Djavann, éditions Flammarion, 2008, French translation of the Farsi by Baharé Khadjé-Nouri

In connection with the exhibition "Coder le monde" at the Centre Pompidou.

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Coproduction IRCAM-Centre Pompidou, Ensemble Court-circuit. In partnership with the T2G – Théâtre de Gennevilliers. With the support of the Sacem.

Fernando Munizaga