• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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  • ManiFeste-2022 s'expose à la Bibliothèque publique d'information








June 8 through Sat 2 July 2022,
noon- 10 p.m.
Centre Pompidou - Bibliothèque publique d'information
Niveau 2 et 3
Prices

Free Entry : 0 €

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Free entry

Creation
Installation






ManiFeste-2022 s'expose à la Bibliothèque publique d'information

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Follow IRCAM’s festival in different spaces throughout the BPI:

Iannis Xenakis, héritage et résonances

June 8-July 2, level 2

Selection of Xenakis’ Polytopes scores and archives

Friday, June 24, 7pm, Espace Musique, level 3

As part of the Sound Studio organized by Gilles Paté at Ensa-Versailles, and on the occasion of the centennial of the birth of Iannis Xenakis, 3rd year architecture students studied the legacy of Xenakis' philosophy and in particular the concept of the "total spectacle" which incorporates the play of light and sound into the architectural dimension. Starting with the study of the Polytopes and the Diatope, and at the end of an intensive week, the students designed 34 models, a selection of which is on display at the BPI: all personal reinterpretations that oscillate between homage to the great composer and architect and aesthetic updating that resonates with more contemporary issues: the implication of new technologies in our sound and visual universe but also, the ecological questions which make us pay attention to "the natural spectacles out of the man" from which Xenakis already drew his inspiration.

L’intelligence artificielle en question - literary creation

June 8-July 2, level 2

Group text written by the students in the Master’s degree program on literary creation at the université de Cergy in relation to Alexander Schubert’s œuvre.

Musiques-Fictions

Friday, June 17 & Monday, June 27, Atelier 1, level 2

Binaural listening sessions (headphones), to discover IRCAM’s musical and literary collection.

The Bibliothèque publique d’information also provides access to IRCAM’s entire catalogue via a special computer station.

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