• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Webern +








Fri 10 June 2022,
8:30 p.m.
Cité de la musique
Amphithéâtre
Prices

Full : 32 €
Discount Price : 27.20 €
ManiFeste Pass : 24 €
Youth Pass : 8 €

Concert recorded by France Musique

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Creation
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Webern +

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A key figure in post-1945 music, Webern seems to be a star distant from the concerns of the younger generation of composers. However, the trace of this visionary work can be found in a number of them, devoted to the revolution of timbre and form, to the density of a musical syntax. The two ManiFeste concerts presented with the Ensemble Intercontemporain and the Philharmonie de Paris are a testament to this. Between the String Trio op. 20 and the String Quartet op. 28, the modernity of the Weberian gesture seems astonishing. Emmanuel Nunes, who dedicated time to a PhD on Webern's work, inherited this deductive and polyphonic power. In Einspielung I, Nunes imagined a quasi-chamber-like dialogue between a violinist "warming up" to polyphony and the computer. The attention to the life of the timbre, through the use of transducers, marks the harp of Kevin Juillerat. Clara Iannotta offers the EIC soloists her latest chamber music work, focused on the minute nuance and rarefaction of sound.

Valeria Kafelnikov harp
Diego Tosi violin
Solistes de l'Ensemble intercontemporain
João Svidzinski IRCAM electronics

Anton Webern Trio à cordes, op. 20
Kevin Juillerat Mues - Premiere 2022
Commissioned by IRCAM-Centre Pompidou
Clara Iannotta new work - Premiere 2022
Commissioned by IRCAM-Centre Pompidou
Anton Webern Quatuor à cordes, op. 28
Emmanuel Nunes Einspielung I

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  • https://philharmoniedeparis.fr
Coproduction IRCAM-Centre Pompidou, Philharmonie de Paris, Ensemble intercontemporain.
  • La harpiste Valeria Kafelnikov  © J.B Millot
    La harpiste Valeria Kafelnikov © J.B Millot
  • Le violoniste Diego Tosi  © Ensemble intercontemporain
    Le violoniste Diego Tosi © Ensemble intercontemporain
  • Le compositeur Kevin Juillerat  © Didier Jordan
    Le compositeur Kevin Juillerat © Didier Jordan
  • La compositrice Clara Ianotta  © Astrid Ackermann
    La compositrice Clara Ianotta © Astrid Ackermann
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