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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Ensemble ULYSSES / Xenakis








Sat 25 June 2022,
6 p.m.
Le CENTQUATRE-PARIS
salle 400
Downloads

programme-ulysses.pdf

Prices

Full : 18 €
Discount Price : 15 €
ManiFeste & Young Cards : 10 €

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Transmission
Concert






Ensemble ULYSSES / Xenakis

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Academy
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The ULYSSES ensemble brings together young performers supported by seasoned soloists. In 2022, the ensemble is dedicated to percussionists who benefit from the supervision of the Percussions de Strasbourg, which is also celebrating its sixtieth anniversary. This adventure unfolds in several stages in Strasbourg and Paris, in Viitasaari in Finland, in Utrecht in Holland and in Warsaw in Poland. Learning through practice and by travelling, through the creations of composers revealed by the ULYSSES network, and through the repertoire. In Paris, two Japanese female composers share the stage with the Pléïades by Xenakis: two movements taken from this collection, in which the sixxen, this unusual metallic instrument imagined by the composer, appear.

Ensemble ULYSSES percussions
Rémi Schwartz from the Percussions de Strasbourg performer and instructor

Iannis Xenakis Métaux et Peaux, excerpts de Pléïades
Malika Kishino Sange
Mioko Yokoyama Talking metals, talking drums - Premiere 2022
Commissioned by Time of Music, Gaudeamus, Automne de Varsovie, with the support of the ULYSSES network, supported by the European Union’s Creative Europe program

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  • https://www.104.fr/
Production IRCAM-Centre Pompidou. With the support of the Sacem and the ULYSSES network, supported by the European Union’s Creative Europe program. IRCAM and the CENTQUATRE-PARIS are partners for experimental performance projects.
  • Le percussionniste Rémi Schwarz des Percussions de Strasbourg  © Ircam - Centre Pompidou, photo : Philippe Barbosa
    Le percussionniste Rémi Schwarz des Percussions de Strasbourg © Ircam - Centre Pompidou, photo : Philippe Barbosa
  • La compositrice Malika Kishino  © June Ueno
    La compositrice Malika Kishino © June Ueno
  • Le compositeur Iannis Xenakis dans son atelier, années 70  © Famille Iannis Xenakis, photo : Michele Daniele
    Le compositeur Iannis Xenakis dans son atelier, années 70 © Famille Iannis Xenakis, photo : Michele Daniele
  • La compositrice Mioko Yokoyama  © Manca Dornik
    La compositrice Mioko Yokoyama © Manca Dornik
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