• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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      .Ircamiens Make the News

      News
      Research

      Interview with Brigitte d’Andréa Novel

      Article
      Director of the “Sciences and Technologies of Music and Sound” research lab (Ircam-CNRS-Sorbonne Université-Ministère de la Cuture / UMR 9912), Brigitte d’Andréa-Novel has been a professor at  MINES …
      News
      Transmission

      Philippe Langlois’ Nomination as Director of IRCAM’s Department of Education and Cultural Outreach

      Article
      Doctor in musicology with a thesis published éditions MF entitled Les cloches d’Atlantis. Musique électroacoustique et cinéma / Archéologie et histoire d’…
      News
      Research

      Meet Nicolas Misdariis and Andrea Cera

      Article
      The researcher from the Sound Perception and Design Team and composer Andrea Cera, associated with the project, recently received an award from the Audio Branding Academy for the conception and produ…
      News
      Research

      The Projects Renault Symbioz and ABC_DJ Nominated for “Better Sound 2018”

      Article
      During the 2018 edition of the International Sound Awards, held in Hamburg, two projects received the “Better Sound 2018” label from the Audio Branding Academy; IRCAM’s Sound Design and Perception te…
      News
      Research

      Orbe is in the running for the 2018 edition of the Innovation Radar Prize

      Article
      Launched by the European Commission in 2015, the Innovation Radar Prize competition identifies Europe's top innovators and their innovations found in projects supported by the European H2020 program.…
      News
      Research

      Ars Electronica 2021 honors IRCAM researchers!

      Article
      Composer Alexander Schubert and a team of artificial intelligence researchers from IRCAM have been awarded the 2021 "Digital Musics & Sound Art" award by Ars Electronica for the creation of Convergen…
      News
      Creation

      Carmine Emanuele Cella, New Director of Artistic Research at IRCAM

      Article
      In January, IRCAM appointed a new Director of Artistic Research. Succeeding Markus Noisternig, now Deputy Director of the STMS laboratory, Carmine Emanuele Cella appeared a natural choice for the rol…
      News
      Research

      Entretien avec Alice Cohen-Hadria

      Entretien
      Quelle expérience avez-vous vécu de la parité lors de vous études en informatique musicale ? Alice Cohen-Hadria : En tant qu’enseignante en informatique, il me se…
      News
      Research

      Musical structures and cardiac arrhythmia

      Article
      Senior CNRS researcher and pianist, Elaine Chew joined the Music Representations team at the research lab STMS in the spring of 2019. She conducts and leads scientific research on the mathematical re…
      News
      Creation

      Sivan Eldar’s project Like Flesh is the winner of the FEDORA Opera Prize 2021

      Article
      The Opéra de Lille will present the premiere of Like Flesh in January 2022. A new multimedia chamber opera by the composer Sivan Eldar. This project, co-produced by IRCAM, was recently awarded the FE…
      News
      Research

      Emmanuel Ponsot, the Science of Hearing

      Article
      Emmanuel Ponsot joined the Perception and Sound Design team in the STMS lab (IRCAM/CNRS/Sorbonne University/Ministry of Culture). This article, in French on the CNRS website, focuses on his research.
      News
      Research

      Jean-Julien Aucouturier is awarded the Emergence scientifique prize from the Fondation Pour l’Audition

      Article
      Every year, the Fondation Pour l’Audition (lit. the Foundation for Hearing) rewards pioneering personalities in the world of clinical and fundamental research providing new opportunities for th…
      News
      Transmission

      Interview with Claudia Jane Scroccaro (in French)

      Entretien
      To mark International Women's Rights Day on 8 March, we present two interviews with women working at IRCAM: Claudia Jane Scrocarro and Alice Cohen-Hadria. One is a composer, the other a researcher, a…
      News
      Research

      Greg Beller “Truth is a Line Drawn Through Mistakes” TEDxParis

      Média
      And if the best way to speed up progress was to slow down? Greg Beller, head of the Research/Creation Interfaces department at IRCAM, spoke on December 6, 2017 at the last TEDxPARIS on the theme of “…
      News
      Research

      Presentation of te Chavasse Award to Patrick Susini

      Article
      April 23, during the forthcoming 14th edition of the Congrès Français d’Acoustique, the Société Française d’Acoustique  awarder Patrick Susini with the 2016 Chavasse award. Patrick is the head of the…
      News
      Research

      Thibaut Carpentier, Laureate of the CNRS 2018 Cristal Medal

      Article
      L'Unité mixte de recherche Sciences et technologies de la musique et du son a l’immense plaisir de voir récompensé par un Cristal CNRS le travail de Thibaut Carpentier, ingénieur d’études dans l’équi…
      News
      Research

      Une belle récompense pour l'équipe Espaces acoustiques et cognitifs de l'Ircam

      Article
      Développé par l'équipe Espaces acoustiques et cognitifs de l'Ircam en partenariat avec Flux::, l'Ircam a reçu son premier Tech Award pour son logiciel Spat lors du NAMM Sh…
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