• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
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    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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      PhD Candidate by Iseline Peyre

      Portrait métier
      Did you know that the field of sound sometimes meets that of health? Iseline Peyre is a doctoral student in the Sound-Music-Motion Interaction team at IRCAM and in the Biomedical Imaging Laboratory. …
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      Head of the Engineering & Prototype Department by Emmanuel Fléty

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      At IRCAM, scientific and artistic projects sometimes involve the development of custom-made equipment. Emmanuel Fléty, head of the Engineering and Prototyping Department, opens the doors of hi…
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      Production Assistant by Florian Bergé

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      IRCAM is a center oforf artistic creation that welcomes numerous composers, artists, musicians, and others every day. As a production assistant, Florian Bergé is attentive to their needs and e…
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      Research and Innovation Coordinator by Sylvie Benoit

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      The heart of the IRCAM team is a hundred or so active researchers. Organizing conferences, managing the needs of the teams, drawing up financial statements... Sylvie Benoit, in charge of research and…
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      Stage Manager by Quentin Vouaux

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      It is because of the technical management teams that the concerts and shows produced by IRCAM can be put together and presented to the public. Quentin Vouaux has been working on stage since childhood…
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      PhD student by Constance Douwes

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      Starting a 3-year thesis requires a great deal of involvement. Constance Douwes, a doctoral student in the Musical Representations team at IRCAM, talks about the importance of teamwork and mutual sup…
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      Researcher by Markus Noisternig

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      Music and science are in daily dialogue at IRCAM, particularly in the context of artistic research activities. Researcher in the Acoustic and Cognitive Spaces team, Markus Noisternig talks about his …
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      Research Director by Nicolas Misdariis

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      What are the responsibilities of a research director at IRCAM? Between experimental research work, interactions with his team, and communications on scientific advances, Nicolas Misdariis explains hi…
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      Computer Music Designer/Professor by Jean Lochard

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      IRCAM places transmission at the heart of its research and creation activities. Teaching, listening, and guidance are part of Jean Lochard's daily routine, computer music designer and specialized ins…
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      Educational Project Coordonator by Murielle Ducas

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      Composition and computer music courses, the film series "Images of a work", mixed-music courses... IRCAM offers numerous training courses and educational activities. As the person in charge of coordi…
      News

      Teacher-Researcher by Nicolas Obin

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      Did you know that IRCAM is home to the STMS (Sciences and Technologies of Music and Sound) joint research lab? Every day, researchers from the CNRS, Sorbonne Université, and the institute work…
      News

      Web Team by Guillaume Pellerin

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      You may have already walked by IRCAM, but did you know that the institute also has a huge online offer of digital resources? Ircam.fr, forum.ircam.fr, brahms.ircam.fr…
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      Reference Librarian and Archivist by Aurore Baudin

      Musical scores, scientific works, vinyl records, concert archives… IRCAM has a well-stocked library dedicated to the relationships among art, science, technology, and contemporary music.
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      Developer by Pierre Guillot

      Portrait métier
      Is creating software just a matter of coding on a computer? Pierre Guillot, a software developer, introduces us to the projects he is working on at IRCAM and the different phases necessary for the de…
      News

      Art/Tech Coordinator by Louise Enjalbert

      Portrait métier
      The dialogue among art, science, and technology is part of IRCAM's DNA and is reflected in several of its European projects carried out in collaboration with international partners.
      News

      Operations and Security Manager by Maxime Jourdil

      Portrait métier
      A center for research and creation, IRCAM is, above all, a unique building in the heart of Paris designed by the famous architects Renzo Piano and Richard Rogers. It is a heritage that must be mainta…
      News

      CNRS Research Scholar by Fanny Gribensky

      Portrait métier
      To be a researcher at IRCAM is to join one of the largest public research centers in the world dedicated to musical creation and scientific research. Within the Sciences and Technologies of Music and…
      News

      Computer Music Designer by Serge Lemouton

      Portrait métier
      Creating a contemporary musical work at IRCAM involves writing a score, but also using state-of-the-art software and technologies.
      News

      Logistics and Digital Project Manager by Eric de Gélis

      Portrait métier
      Have you ever watched a video of an IRCAM conference? The replay of a concert? If so, Eric de Gélis was probably behind the camera. In charge of logistics and digital operations, he shares his…
      News

      Communications Officer by Deborah Lopatin

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      IRCAM offers a wide range of activities for a multicultural and international public: concerts and performances, research seminars, training, cultural events... Deborah Lopatin's principal mission is…
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      Doctoral Student by Marc Wijnand

      Portrait métier
      The STMS (Sciences and Technologies of Music and Sound) laboratory at IRCAM welcomes many doctoral students. What does it mean to embark on a PhD? Devoting oneself to a 3-year period of in-depth rese…
      News

      Sound Engineer by Clément Cerles

      Portrait métier
      Every year, IRCAM proposes a season of musical creations made up of concerts, installations, performances... To prepare it, all hands are on deck in the production team! Clément Cerles, sound …
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