• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
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    • Analysis of Musical Practices
    • Projects
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    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
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    • Improvise cum machina 1/2
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    • Like Sound, Like Flesh
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    • Tablado
    • Musical creation around Outer Space
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    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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News

News
Creation

Rémi Fox & Jérôme Nika 2/4 : Continuing 20 Years of Research

Article
Carried out by saxophonist Rémi Fox and researcher/musician Jérôme Nika, the "Artificial Hippocampus" project is the result of nearly 20 years of research by the Musical Representations team, under t…
News
Creation

In February, we're listening to...

Playlist of the month
Clara Olivares, Tristan Murail, Rachel Beja, Sivan Eldar, extrait du Sheng
News
Creation

Aki Ito & Jean-Philippe Lambert 2/4 : Experimenting with collective sound interaction research

Article
One of the sine qua non conditions for the acceptance of an artistic research residency project at Ircam is that the technological stakes of the project resonate with the concerns of the research tea…
News

Sound Engineer by Clément Cerles

Portrait métier
Every year, IRCAM proposes a season of musical creations made up of concerts, installations, performances... To prepare it, all hands are on deck in the production team! Clément Cerles, sound …
News

Educational Project Coordonator by Murielle Ducas

Portrait métier
Composition and computer music courses, the film series "Images of a work", mixed-music courses... IRCAM offers numerous training courses and educational activities. As the person in charge of coordi…
News

Teacher-Researcher by Nicolas Obin

Portrait métier
Did you know that IRCAM is home to the STMS (Sciences and Technologies of Music and Sound) joint research lab? Every day, researchers from the CNRS, Sorbonne Université, and the institute work…
News

Computer Music Designer/Professor by Jean Lochard

Portrait métier
IRCAM places transmission at the heart of its research and creation activities. Teaching, listening, and guidance are part of Jean Lochard's daily routine, computer music designer and specialized ins…
News
Creation

Nostalgia of a Catastrophe or The Catastrophe Without Nostalgia

Article
Interview with director Anne Monfort and composer Núria Giménez-Comas about their project based on Anja Hilling's play Nostalgie 2175
News
Innovations

Forum on the Powers of Sound in Industry

Decode the challenges for audio in tomorrow's industry with this forum by IRCAM Amplify on January 20, online and live. Sound Tech For Good, new applications for a shared world.
News
Innovations

Call for applications: MediaFutures

Article
Artists, startups, and mixed teams (artist + startup) developing projects that address misinformation are invited to apply to the MediaFutures call until January 27, 2022!
News
Creation

In January, we're listening to...

Playlist of the month
Sivan Eldar, Philippe Manoury, Musiques-Fictions, Núria Giménez-Comas
News
Creation

IRCAM wishes you a happy 2022!

Média
The teams from IRCAM, the Centre Pompidou and the Bibliothèque publique d'information wish you a happy new year. Long live movement on the Beaubourg plateau in 2022!
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