• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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News

News
Creation

Rémi Fox & Jérôme Nika 3/4 : Live Music (In Athens)

Article
“I've noticed it more and more while working with Jérôme Nika," says Rémi Fox. “Saying 'Let's meet and improvise' can work once, sometimes twice, with a bit of luck and the magic of improvisation. Bu…
News
Creation

Maxime Mantovani 3/4 : An Improvisation

Article
On December 21, Maxime Mantovani was in the studio with Henri-Charles Caget on percussion and Victor Auffray on flugabone, for a session of improvisations for tests of the device he is working on, wh…
News
Creation

Maxime Mantovani 2/4 : Meeting with Philippe Esling

Article
As part of his artistic research residency, Maxime Mantovani is developing an organic control interface for a sound synthesis engine using artificial intelligence models. A proposal that came at the …
News
Innovations

IRCAM Tutorials: MuBu

Média
MuBu (for “multi-buffer) is a set of modules for real-time multimodal signal processing (audio and movement), automatic learning, and sound synthesis via descriptors. Using the multimodal MuBu …
News

Communications Officer by Deborah Lopatin

Portrait métier
IRCAM offers a wide range of activities for a multicultural and international public: concerts and performances, research seminars, training, cultural events... Deborah Lopatin's principal mission is…
News
Creation

In March, we're listening to...

Playlist of the month
Rebecca Saunders, Marc Monnet, Adrien Trybucki, Sivan Eldar
News

Doctoral Student by Marc Wijnand

Portrait métier
The STMS (Sciences and Technologies of Music and Sound) laboratory at IRCAM welcomes many doctoral students. What does it mean to embark on a PhD? Devoting oneself to a 3-year period of in-depth rese…
News
Creation

Maxime Mantovani 1/4 : Associating the organological gesture with AI

Article
Maxime Mantovani's compositional approach is closely linked to new technologies. Very early on, he created his own computer tools and developed his own electro-acoustic lutheries designed to control …
News
Creation

Critical Climate Machine 2/4 : DYCI2 in the climate machine

Article
Gaëtan Robillard adds an important element to the sound space of the artwork: Critical Climate Machine. Today we focus on the sound material used and the way it is sculpted in space.
News

Logistics and Digital Project Manager by Eric de Gélis

Portrait métier
Have you ever watched a video of an IRCAM conference? The replay of a concert? If so, Eric de Gélis was probably behind the camera. In charge of logistics and digital operations, he shares his…
News
Research

01'30 in Stravinsky with Nadia Guerouaou, Phd Student

Média
Nadia Guerouaou, guest doctoral student in the Perception and Sound Design team at the STMS laboratory (IRCAM/CNRS/Sorbonne University/Ministry of Culture) presents her work: "Ethics of Emotional Voc…
News

Research Director by Nicolas Misdariis

Portrait métier
What are the responsibilities of a research director at IRCAM? Between experimental research work, interactions with his team, and communications on scientific advances, Nicolas Misdariis explains hi…
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