• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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News

News
Creation

Cet été, on écoute...

Playlist of the month
Cet été, on écoute...
News
Research

Artisticiel: AI Musician and Humans by Bernard Lubat, Gérard Assayag, andMarc Chemillier

Article
In the Dialogues d’Uzeste collection, the jazz musician Bernard Lubat interacts with musical artificial intelligence systems (AI) created by the Musical Representations team at IRCAM and with their d…
News
Creation

ManiFeste-2021: Our Concerts Online for 6 Months

Média
ManiFeste-2021 was one of the first festivals to reopen its doors to the public, from May 31 to June 30. A ManiFeste for the vitality of contemporary creation, with outstanding works that will join t…
News
Transmission

Analysis of a Work: Sculpting the Air by Jesper Nordin

Article
Analysis available in French on IRCAM's Ressources website
News
Research

Ars Electronica 2021 honors IRCAM researchers!

Article
Composer Alexander Schubert and a team of artificial intelligence researchers from IRCAM have been awarded the 2021 "Digital Musics & Sound Art" award by Ars Electronica for the creation of Convergen…
News
Creation

Sivan Eldar’s project Like Flesh is the winner of the FEDORA Opera Prize 2021

Article
The Opéra de Lille will present the premiere of Like Flesh in January 2022. A new multimedia chamber opera by the composer Sivan Eldar. This project, co-produced by IRCAM, was recently awarded the FE…
News
Creation

3 tips from Frank Bretschneider, composer

Média
Frank Bretschneider est un musicien, compositeur et vidéaste installé à Berlin. Son travail se distingue pour la précision de sa spatialisation sonore, pour ses structures rythmiques complexes et int…
News
Transmission

Les coulisses de chaire « Supersonique : exposer, monter, habiter le son »

Média
Within the framework of the chair "Supersonic: exhibiting, editing, inhabiting sound", students from the Beaux-Arts de Paris were able to collaborate with young composers from IRCAM to compose sound …
News
Creation

Balises aks three questions to Frank Madlener

Press article
Le magazine de la BPI interroge Frank Madlener sur le festival ManiFeste-2021, ses approches multidisplinaires du son et leur réception par le public.
News
Creation

3 tips from Alexandros Markeas, composer

Média
Alexandros Markeas étudie le piano, la musique de chambre et l’écriture au Conservatoire national d’Athènes. En 1987, il va poursuivre ses études au Conservatoire national supérieur de Paris avec Al…
News
Creation

3 tips from Bernhard Lang, composer

Média
Bernhard Lang studied piano at the Bruckner Konservatorium in Linz. He continued studying classical and jazz piano in Graz, in addition to arrangement. He also studied German philosophy and philology.
News
Creation

La matinale spéciale ManiFeste-2021 sur France musique

Press article
Entre créations, ciné-concerts et musiques-fictions, Frank Madlener, directeur de l'IRCAM, Yan Maresz, compositeur et Maylis de Kerangal, écrivaine, présentent l'édition 2021 du festival ManiFeste.
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