• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
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News

News
Creation

Listen to Fluid Mechanics

Média
Premiered on February 6, 2021 at the Maison de la radio, this immersive experience was created by Benjamin de la Fuente and Samuel Sighicelli with the Caravaggio and Court-Circuit ensembles. The conc…
News
Creation

In March, we're listening to...

Playlist of the month
Andrea Agostini, Andrea Cera, Giulia Lorusso, Francisco Alvarado, Francesca Verunelli, Ann Cleare
News
Transmission

Irish Composer Ann Cleare (in French)

Portrait d'une compositrice
Ann Cleare commence des études à l’University College de Cork où elle obtient un baccalauréat en musicologie ainsi qu’un master de philosophie. En 2008-2009, elle suit le Cursus en composition et inf…
News
Creation

Interviews with Giulia Lorusso and Francesca Verunelli

Média
The two Italian composers tell us about their works—Fabrica, premiered in 2021 for Giulia Lorusso and Five Songs (Kafka's Sirens) for Francesca Verunelli. Two works performed by Ensemble C Barr…
News
Research

Recognizing liars from the sound of their voice?

Article
Faster speech rate, greater intensity in the middle of the word, and falling pitch at the end of the word: that is the prosody(1) to adopt if one wants to come across as reliable and honest to one’s …
News
Creation

« Le compositeur est celui qui a décidé de l'être »

Article
Entretien avec Benjamin de la Fuente dans le cadre de sa création mondiale, Fluid Mechanics, au Festival Présences. Création à découvrir le 3 mars à 20h sur France Musique !
News
Transmission

Images of Work #27: "Canzoniere" by Marta Gentilucci

Média
Go behind the scenes of Canzoniere's creation by following composer Marta Gentilucci in her composition process, working closely with Ircam's voice research and production teams; experience the first…
News
Creation

In February, we're listening to...

Playlist of the month
News
Transmission

Life of a Work: Betsy Jolas (in French)

Article
La place que Betsy Jolas s’accorde elle-même dans le paysage de la musique contemporaine est celle de « l’indépendance » et de la « différence ». Cette position s’est clairement imposée dans les anné…
News
Transmission

Spaces of compositional thought - Places of music

Article
Invited by the ManiFeste-2021 Academy to supervise a composition workshop on chamber music ensembles in June, the composer Isabel Mundry reflects on composition teaching today.
News
Transmission

3 Questions for Philippe Langlois

Article
Interview with Philippe Langlois, Director of Education and Cultural Outreach at IRCAM, who orchestrated the renewal of the Course program on composition and computer music. This programme is intende…
News
Creation

Lauréat.e.s du programme de résidence en recherche artistique 2021

News
Découvrez les trois projets sélectionnés pour le programme de résidence artistique de l'Ircam : Astérismes, HI. A. et Quell'usignolo che innamorato : la résurgence d'une voix artificielle et profondé…
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