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Martin Matalon, Philippe Leroux, Lisa Streich, Franck Bedrossian

It is because of the technical management teams that the concerts and shows produced by IRCAM can be put together and presented to the public. Quentin Vouaux has been working on stage since childhood…

Music and science are in daily dialogue at IRCAM, particularly in the context of artistic research activities. Researcher in the Acoustic and Cognitive Spaces team, Markus Noisternig talks about his …

Starting a 3-year thesis requires a great deal of involvement. Constance Douwes, a doctoral student in the Musical Representations team at IRCAM, talks about the importance of teamwork and mutual sup…

At IRCAM, scientific and artistic projects sometimes involve the development of custom-made equipment. Emmanuel Fléty, head of the Engineering and Prototyping Department, opens the doors of hi…

The heart of the IRCAM team is a hundred or so active researchers. Organizing conferences, managing the needs of the teams, drawing up financial statements... Sylvie Benoit, in charge of research and…

IRCAM is a center oforf artistic creation that welcomes numerous composers, artists, musicians, and others every day. As a production assistant, Florian Bergé is attentive to their needs and e…

Did you know that the field of sound sometimes meets that of health? Iseline Peyre is a doctoral student in the Sound-Music-Motion Interaction team at IRCAM and in the Biomedical Imaging Laboratory. …

IRCAM and the Centre de musique baroque de Versailles have joined forces to inaugurate the Janus Program. An innovative program that combines the promotion of cultural legacy and the vitality of cont…

This is the nature of research, whether artistic or scientific, and perhaps what makes it so fascinating: we know what we are looking for, much more rarely what we will find. In this case, during her…

Annie Ernaux, recently awarded the Nobel Prize for Literature, offers her voice to the Musique-Fiction on her story, L'autre fille (The Other Girl)

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