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In the Sound Analysis & Synthesis team, Judith Deschamps benefits from the combined talents of two researchers: research director Axel Roebel and doctoral student Frederik Bous, to recreate a rea…

Controlled by Gaëtan Robillard and Dionysios Papanikolaou, the generation engine OM-DYCI2—developed by Jérôme Nika, a member of the Musical Representations team—was fed with 34 dialogues, made up of …

“I've noticed it more and more while working with Jérôme Nika," says Rémi Fox. “Saying 'Let's meet and improvise' can work once, sometimes twice, with a bit of luck and the magic of improvisation. Bu…

On December 21, Maxime Mantovani was in the studio with Henri-Charles Caget on percussion and Victor Auffray on flugabone, for a session of improvisations for tests of the device he is working on, wh…

As part of his artistic research residency, Maxime Mantovani is developing an organic control interface for a sound synthesis engine using artificial intelligence models. A proposal that came at the …

MuBu (for “multi-buffer) is a set of modules for real-time multimodal signal processing (audio and movement), automatic learning, and sound synthesis via descriptors. Using the multimodal MuBu …

IRCAM offers a wide range of activities for a multicultural and international public: concerts and performances, research seminars, training, cultural events... Deborah Lopatin's principal mission is…

Rebecca Saunders, Marc Monnet, Adrien Trybucki, Sivan Eldar

The STMS (Sciences and Technologies of Music and Sound) laboratory at IRCAM welcomes many doctoral students. What does it mean to embark on a PhD? Devoting oneself to a 3-year period of in-depth rese…

Maxime Mantovani's compositional approach is closely linked to new technologies. Very early on, he created his own computer tools and developed his own electro-acoustic lutheries designed to control …

Gaëtan Robillard adds an important element to the sound space of the artwork: Critical Climate Machine. Today we focus on the sound material used and the way it is sculpted in space.

Have you ever watched a video of an IRCAM conference? The replay of a concert? If so, Eric de Gélis was probably behind the camera. In charge of logistics and digital operations, he shares his…