• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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Research

Engaging technologies with communities and artistic practices

12 October to 13 October 2023 Free entry
Presentation of the Living Archive and DOTS projects
Creation

R

27 October to 29 October 2023
by Mei-Fang Lin
Article

Richard Causton & Per Bloland 2/4 : The Electromagnetically-Prepared Piano

Today, Monday April 17, we meet Richard Causton and Per Bloland in the spacious Studio 5 at IRCAM. They are both plunged into the entrails of an open grand piano, like a patient on an operating table. The lid has …
Article

1977-2023: The Espace de Projection Odyssey [3/3]

In any case, Machinations crystallised that moment which saw IRCAM open to flexible, porous stage forms and other fields. According to Eric de Visscher, the launch of the Agora festival in 1999, which extended beyond the Espace de Projection,
Article

From Middle School to the Centre Pompidou, the Outcome of the Replay Cultural Heritage Project

Les élèves « cordées de la réussite » du collège Joliot Curie à Bagneux ont été invités à découvrir et à réinterpréter Laborintus II afin de se l’approprier. Une dizaine d’ateliers pédagogiques ont été menés par la designer sonore Kinda …
Article

1977-2023: The Espace de Projection Odyssey [1/3]

In the basement under Place Igor Stravinsky, IRCAM’s Espace de Projection is a temple for ‘spatial’ and music research, and the beating heart of IRCAM. Since 1977, it has been the stage and laboratory for a multitude of landmark works, …
Article

Continuum, augmented sonic dimensions for live performances

IRCAM, Amadeus, and Vrtuoz have joined forces to launch Continuum, an ambitious three-year project of artistic innovation.
Research

Journées Perception Sonore

21 November to 22 November 2023 Reserve
A hundred researchers are gathered around a central theme: "Sound Perception and Health".
Article

New Applications for Gesture/Sound Applications

Research director at IRCAM where he is also the head of the Sound Music Movement Interaction team, Frédéric Bevilacqua works on gestural interaction and movement analysis applied to music and live performance. To learn more about the new challenges of …
Article

IRCAM Tutorials: Dicy2

Dicy2 is both a package for Max and a plugin for Ableton Live implementing interactive agents using machine-learning to generate musical sequences that can be integrated into musical situations ranging from the production of structured material within a compositional process …

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