• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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Creation

Lucerne Festival: Poésie pour pouvoir

Sunday 31 August 2025
IRCAM and the Lucerne Festival Contemporary Orchestra celebrate Pierre Boulez's 100th anniversary
Article

Interview with Adrien Trybucki: Janus Palimpsest

The Janus Program, launched in 2021 by IRCAM and the Centre de musique baroque de Versailles to break down barriers between musical repertoires for the benefit of young artists, comes to an end in summer 2025. It concludes with the …
Article

Podcast: Victor Hugo Students Explore ManiFeste

This series is available exclusively in French. A behind the scenes journey into the ManiFeste festival! Armed with microphones, students from the Victor Hugo middle school share their encounter with IRCAM in this 5-episode series.
Creation

Lucerne Festival: Boulez & Stroppa

Saturday 30 August 2025
IRCAM and the Lucerne Festival Contemporary Orchestra celebrate Pierre Boulez's 100th anniversary
Article

Alberto Gatti / Re-sounding bodies: Nicolas Misdariis 3/4

As director of research at IRCAM and manager of the Sound Perception & Design team of the STMS lab, Nicolas Misdariis co-directed Claire Richards’ PhD thesis, during which she developed her multimodal harness, and is now supporting Alberto Gatti in …
Article

For Responsible Artificial Intelligence Serving Inventive and Diverse Musical Creation

Opinion column published in Culture et Recherche n°147. Nicolas Obin (Associate Professor, Sorbonne University)
, Pierre Saint-Germier (Research Fellow, CNRS)
, Jean-Louis Giavitto (Research Director, CNRS)
, Frank Madlener (Director, IRCAM)
, Axel Roebel (Research Director, IRCAM), Frédéric Bevilacqua (Research …
Article

IRCAM Brings its Artistic Expertise to the France Pavilion at Expo 2025 Osaka

As part of Expo 2025 Osaka, being held from April 13 to October 13, 2025 in Japan, IRCAM has orchestrated the creation of an original audiovisual work commissioned by AXA, a major patron of art and culture, for the France …
Article

Pierre Boulez: Composer, Teacher, Communicator

To evoke Pierre Boulez is to acknowledge the many dimensions of his work, each intricately woven together through deep connections and mutual influence. Composer, conductor—by necessity rather than design—founder of institutions, and teacher, he navigated these roles with a singular …
Article

IRCAM and the Orchestre national d'Île-de-France are delighted to announce the 3 finalists of the Élan Award 2025

An international composition competition for an orchestral work held as part of the ManiFeste festival.
Article

1'30 with Matthieu Doroyon, Doctoral Student

Matthieu Duroyon, a doctoral candidate, presents his thesis: "From the Study of Sonic Comfort in the Electric Vehicle Cabin to its Improvement Through Augmented Acoustics", carried out within the Sound Perception and Design team in the STMS laboratory (IRCAM/Sorbonne University/CNRS/Ministry …

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