• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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Article

Sébastien Gaxie : Inside the Rainforest 1/2

In the dense jungle of research projects taking place at IRCAM, the project Sébastien Gaxie is conducting with the Sound Analysis and Synthesis team is truly one-of-a-kind. While most residencies revolve around sound processing, creation and diffusion or how it …
Article

Seth Scott / Points of Articulation

Composer, sound designer and professor of Electronic Music and researcher at the Guildhall School of Music and Drama in London, Seth Scott has chosen the Sound Analysis-Synthesis team of the STMS lab at IRCAM to conduct his artistic research residency, …
Article

Three Questions for Marco Stroppa on the Electronics in Poésie pour pouvoir

Poésie pour pouvoir, for tape and three orchestral groups, was premiered on October 19, 1958, in Donaueschingen by the Südwestrundfunk orchestra conducted by Hans Rosbaud and Pierre Boulez. The work was inspired by a poem by Henri Michaux, Je rame …
Article

Simon Kanzler /A Multidimensional Approach to Composition

As part of his artistic research residency at IRCAM with the Analysis of Musical Practices team in the STMS lab, New-York resident and German composer Simon Kanzler intends to explore the notions of synchronisation and desyncrhonisation for space recomposition, via …
Article

ASAP 2 & Online Shop: IRCAM Forum News

Rendez-vous sur la nouvelle boutique en ligne du Forum pour accéder à tous les logiciels de l'Ircam en vente
Article

Alberto Gatti / Re-sounding bodies: Nicolas Misdariis 3/4

As director of research at IRCAM and manager of the Sound Perception & Design team of the STMS lab, Nicolas Misdariis co-directed Claire Richards’ PhD thesis, during which she developed her multimodal harness, and is now supporting Alberto Gatti in …
Article

For Responsible Artificial Intelligence Serving Inventive and Diverse Musical Creation

Opinion column published in Culture et Recherche n°147. Nicolas Obin (Associate Professor, Sorbonne University)
, Pierre Saint-Germier (Research Fellow, CNRS)
, Jean-Louis Giavitto (Research Director, CNRS)
, Frank Madlener (Director, IRCAM)
, Axel Roebel (Research Director, IRCAM), Frédéric Bevilacqua (Research …
Article

Emma Margetson / Spatial Materiality : From Centripetal to Centrifuge 1/2

Early this year, British composer Emma Margetson started an artistic research residency with the Acoustic and Cognitive Spaces team, to work on an innovative and singular device designed for sound diffusion: IKO. IKO has the shape of an icosahedron, which …
Research

Symposium on Sound-Driven Design

11 September to 12 September 2025
Sounding objects for societal impact
Article

Pierre Boulez: Composer, Teacher, Communicator

To evoke Pierre Boulez is to acknowledge the many dimensions of his work, each intricately woven together through deep connections and mutual influence. Composer, conductor—by necessity rather than design—founder of institutions, and teacher, he navigated these roles with a singular …

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