• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
  • Home
  • Rendez-vous in Paris
  • Symposium on Sound-Driven Design








September 11 through Fri 12 September 2025,
8:45 a.m.- 5:30 p.m.
Ircam
Prices

Full : 50 €
Membres de la Design Research Society : 20 €

Les frais d'inscription comprennent toutes les pauses annoncées au programme, à l'exception du déjeuner de la 2e journée (libre).

Edit
Research
Symposium






Symposium on Sound-Driven Design

Edit






Sounding objects for societal impact
Edit






Join us for a two-day symposium dedicated to exploring how sound can inform and transform design practices for societal good.

Sound is a vital yet often overlooked dimension of our interactions with the world. It plays a key role in shaping human experiences, environmental awareness, and social cohesion. It influences human perception, urban and ecological systems, and cultural practices – yet it currently remains a gap in how sound is considered and integrated.

This symposium aims to bridge that gap through a multidisciplinary research dialogue, bringing together the sound and design research communities. We will investigate how systemic approaches to sound-driven design can help address the ways in which society influences and is influenced by sound.

Focus & Themes

This research-focused event will bring together experts in design and sound to explore how systemic approaches to sound-driven design can support societal transformation, through three main thematic sessions:

1. Design Process and Methodology
2. Human-Technology Entanglement
3. Societal Impact of Design

Each session will feature paired lectures and dialogues from design and sound experts, followed by facilitated thematic focus groups. Outcomes from these discussions will be considered for publication in the DRS Digital Library.

Public

This symposium is designed as an active research event where participants can actively engage in research discussions. We therefore expect participants to be at least advanced PhD students. We also welcome early-career or confirmed researchers and practitioners with a strong academic or practice-based interest in design and sound engaged in interdisciplinary work.

Organization

Perception & Sound Design team (S. Delle Monache, N. Misdariis) at the STMS Laboratory (IRCAM, Sorbonne université, CNRS, ministère de la Culture) , the  Faculty of Industrial Design Engineering, Delft University of Technology (E. Özcan) and  the   Design Research Society Special Interest Group on Sound-Driven Design (S. Delle Monache, D. Hug, S. Lenzi, N. Misdariis, E. Özcan, S. Pauletto, D. Rocchesso, S. Spagnol).

With support from the Centre de Recherche en Design (ENS Paris-Saclay / ENSCI – Les Ateliers) and PEPR ICCARE (Design and Architecture)

This work benefited from State aid managed by the Agence Nationale de la Recherche under the France 2030 programme, the reference ANR-23-PEIC-0001.

Program

D = Design expert ; S = Sound expert

Thursday, September 11

  8:45am | Welcome
  9:00am | Theme 1: Design process and methodology

Lecture 1D - Design intermediary / boundary objects
with Jean-Francois Boujut, Institute of Engineering and Management of Grenoble INP - UGA
Lecture 1S - Sonic Boundary Objects
with Florian Grond, Concordia University

Dialogue

  10:00am | Focus groups formation + Coffee break
  11:00am | Parallel focus groups (max 10 members) + short reporting
  12:30am | Lunch break
  2:00pm | Theme 2: Human-Technology Entanglement

Lecture 2D - Sonic Entanglements: Rethinking Human-Technology Relations Through Sound
with Maria Luce Lupetti, Politecnico of Torino
Lecture 2S - Perspectives in Designing Movement-Sound Interaction
with Frédéric Bevilacqua, IRCAM STMS Lab

Dialogue

  3:00pm | Focus groups formation + Coffee break
  4:00 - 5:30pm | Parallel focus groups (max 10 members) + short reporting

Friday, September 12

  8:45am | Welcome
  9:00am | Theme 3: Societal impact of design

Lecture 3D - Ecologies of Making: A Question for Society
with Émile De Visscher, CRD ENS Paris-Saclay Ensci Les Ateliers
Lecture 3S - Sonic possibility and habitability
with Salomé Voegelin, London College of Communication, University of the Arts

Dialogue

  10:00am | Focus groups formation + Coffee break
  11:00am | Parallel focus groups (max 10 members) + short reporting
  12:30am | Lunch  break
  2:00pm | Preparation of focus groups presentations
  3:00pm | Coffee break
  3:30pm | Presentation of results (30 min / group)
  5:00pm | Synthesis & Perspectives
  5:30pm | Closing aperitif

Edit
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • Accessibility
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • General Conditions
  • Legal Notes
  • Espace Pro
Copyright © 2026 Ircam. All rights reserved.