IRCAM Forum Workshops: New York
From September 30 to October 3, 2022, a four-day event on interaction and sound design. Come and discover the sound innovations and technologies developed in IRCAM's research lab, shared with artistic and musical communities that make up the IRCAM Forum!
Gaëtan Robillard 1/4 : Data-portrait of climate scepticism
Data, sets of data: it's practically all we talk about these days. They are the prism through which we view reality, they inform and motivate decisions. We mine them like coal, we extract them, we exploit them, we feed them …
Critical Climate Machine 3/4 : Composing with Dyci2
Controlled by Gaëtan Robillard and Dionysios Papanikolaou, the generation engine OM-DYCI2—developed by Jérôme Nika, a member of the Musical Representations team—was fed with 34 dialogues, made up of climatosceptic arguments and their refutations to produce hours and hours of sounds. …
Artificial, Creative, and Autonomous Agents
For Georges Bloch’s concert Three Ladies Project on September 5th, the historical performance of the great singer Diane Reeves in Montreux is reconstructed in real-time by the software based on the harmony of the piano played live by Hervé Sellin!
Trailer - Images of Work #29: "Ex Machina" by Steve Lehman and Frédéric Maurin
The American saxophonist Steve Lehman and the artistic director of the Orchestre National de Jazz, Frédéric Maurin, present Ex Machina, a unique creation composed wit the assistance of the DYCI2 environment—used in the performance of the work as well—developed by …
A brief and subjective history of AI technics in music composition
Numerical Approaches, GOFAI, Machine learning ; what is the role of artificial intelligence in music composition since 1950 ? An article by Jean-Louis Giavitto