• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
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    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
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    • Artistic Residencies: The Blog
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    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
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Jerome Nika

Jérôme Nika is a computer music designer / musician, and a researcher in human-machine musical interaction. He graduated from the French Grandes Écoles Télécom ParisTech and ENSTA ParisTech. In addition, he studied acoustics, signal processing and computer science as applied …
Article

Rémi Fox & Jérôme Nika 4/4 : In Order of Appearence

The opening track of the duo's album "C'est pour ça", to be released in the coming months, "In order of appearance" offers new insight into the possibilities of DYCI2 agents as they are combined through improvisations by saxophonist Rémi Fox …
Article

Rémi Fox & Jérôme Nika 3/4 : Live Music (In Athens)

“I've noticed it more and more while working with Jérôme Nika," says Rémi Fox. “Saying 'Let's meet and improvise' can work once, sometimes twice, with a bit of luck and the magic of improvisation. But to go deeper, you really …
Article

Rémi Fox & Jérôme Nika 1/4 : Artificial Hippocampus

For half a dozen years, saxophonist Rémi Fox has been a guinea pig - but a voluntary one. It is thus voluntarily that, periodically, he goes to the underground of Ircam to submit to the experiments of scientists.
Article

Rémi Fox & Jérôme Nika 2/4 : Continuing 20 Years of Research

Carried out by saxophonist Rémi Fox and researcher/musician Jérôme Nika, the "Artificial Hippocampus" project is the result of nearly 20 years of research by the Musical Representations team, under the leadership of Gérard Assayag. A quick historical overview.
Article

IRCAM Forum Workshops: New York

From September 30 to October 3, 2022, a four-day event on interaction and sound design. Come and discover the sound innovations and technologies developed in IRCAM's research lab, shared with artistic and musical communities that make up the IRCAM Forum!
Article

Critical Climate Machine 2/4 : Dyci2 in the climate machine

Gaëtan Robillard adds an important element to the sound space of the artwork: Critical Climate Machine. Today we focus on the sound material used and the way it is sculpted in space.
Article

Critical Climate Machine 3/4 : Composing with Dyci2

Controlled by Gaëtan Robillard and Dionysios Papanikolaou, the generation engine OM-DYCI2—developed by Jérôme Nika, a member of the Musical Representations team—was fed with 34 dialogues, made up of climatosceptic arguments and their refutations to produce hours and hours of sounds. …
Article

Gaëtan Robillard 1/4 : Data-portrait of climate scepticism

Data, sets of data: it's practically all we talk about these days. They are the prism through which we view reality, they inform and motivate decisions. We mine them like coal, we extract them, we exploit them, we feed them …
Article

Trailer - Images of Work #29: "Ex Machina" by Steve Lehman and Frédéric Maurin

The American saxophonist Steve Lehman and the artistic director of the Orchestre National de Jazz, Frédéric Maurin, present Ex Machina, a unique creation composed wit the assistance of the DYCI2 environment—used in the performance of the work as well—developed by …

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