• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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      The IRCAM team

      Edit






      To contact a member of the IRCAM team, please note that all e-mail adresses are: firstname.lastname@ircam.fr

      Direction

      Director: Frank Madlener
      General Administrator: Michel Muckensturm
      Administrative Assistant : Sylvie-Léa Cohen

      General Services

      Finances

      Cristina Parreira-Ramos Da Silva, Mahdi Zigha

      Human Resources

      Director: Alexandra Magne
      Meryem Jijane, Ninon Louis, Patricia Martins

      Facilities and Security

      Manager: Alain Nicolas
      Bruno Belfiore, Layachi Izem, Maxime Jourdil, Seare Mullai, Jean-Paul Rodrigues, Chantal Vogel

      Communication and Partners

      Director: Marine Nicodeau
      Mary Delacour, Clémentine Gorlier, Alexandra Guzik, Deborah Lopatin, Claire Marquet

      Innovation & Research Ressources

      Director: Hugues Vinet
      Sylvie Benoit

      IT

      Manager: Raphaël Sallé de Chou
      Benjamin Boudoir, Rémi Desmonet, Olivier Labat, Ghislaine Montagne

      Web service

      Manager: Guillaume Pellerin
      Martin Desrumaux, Clément Gérard

      Research: Creation Interfaces

      Greg Beller, Louise Enjalbert, Stéphanie Leroy, Paola Palumbo, Liz Gorsen

      The mixed STMS research lab

      (Sciences and Technologies for Music and Sound)

      Direction

      Director: Brigitte d'Andréa-Novel
      Deputy Director : Jean-Louis Giavitto
      Anne-Marie Vaudeville (CNRS), Viktoriya Uscumlic

      Head Researchers

      Acoustic and Cognitive Spaces : Olivier Warusfel
      Perception and Sound Design : Nicolas Misdariis
      Sound Analysis-Synthesis : Axel Roebel
      Sound Systems and Signals : Audio/Acoustics, Instruments : Thomas Hélie
      Musical Representations : Gérard Assayag
      Analysis of Musical Practices : Nicolas Donin
      Sound Music Movement Interaction : Frédéric Bevilacqua

      Researchers and Engineers

      Carlos Agon Amado (Sorbonne University), Moreno Andreatta (CNRS), Luc Ardaillon, Pablo Arias (CNRS), Jean-Julien Aucouturier (CNRS), Mondher Ayari (Univ. Strasbourg),  Georges Bloch (Univ. Strasbourg), Alain Bonardi (Univ. Paris 8), Riccardo Borghesi, Henri Boutin (Sorbonne University), Antoine Caillon, Clément Cannone (CNRS), Thibaut Carpentier (CNRS), Elaine Chew (CNRS), Frédéric Cornu, Camille Dianoux (Sorbonne University), Philippe Esling (Sorbonne University), Laurent Feneyrou (CNRS), François-Xavier Feron (CNRS), Emmanuel Fléty,  Jean-Louis Giavitto (CNRS), Louise Goupil, Pierre Guillot, Karim Haddad, Matthew Harris, Thomas Hélie (CNRS), Olivier Houix, Marco Liuni,  Benjamin Matuszewski, Rémi Mignot, Markus Noisternig, Nicolas Obin (Sorbonne University), Robert Piéchaud,  David Poirier-Quinot, Mathieu Prang, Arnaud Recher (CNRS),  David Roze (CNRS),  Pierre Saint-Germier, Diemo Schwarz, Patrick Susini, Isabelle Viaud-Delmon (CNRS), Daniel Wolff.

      Doctoral Students

      Théis Bazin, Daniel Bedoya, Adrien Bitton, Frédéric Bous, Daniel Cabanzo, Antoine Caillon, Pierre Carré, Tristan Carsault, Axel Chemla, Guillaume Doras, Constance Douwes, Jean François Ducher, Franck Elisabeth, Mireille Fares, José Miguel Fernandez, Adelino Rafael Ferro Mendes, Hadrien Foroughmand, Martin Fouilleul, Marta Gospodarek, Lisa La Pietra, Antoine Lavault, Frédéric Le Bel, Clément Le Moine, Vincent Martin, Pierre Massé, Gabriel Meseguer, Rémy Muller, Judy Najnudel, Iseline Peyre, Waradon Phokhinanan,  Mathieu Prang, Alessandro Ratoci, Claire Richard, Victor Rosi, Yann Teytaut, Marion Voillot, Victor Wetzel, Marc Wijnand, Franck Zagala.

      Artistic Creation

      Artistic Director

      Director: Frank Madlener
      Artistic Programming Deputy Director: Suzanne Berthy
      Natacha Moënne-Loccoz

      Education and Cultural Outreach

      Director:  Philippe Langlois
      Anne-Sophie Chassard, Murielle Ducas, Cyrielle Fiolet
      Artistic Advisor : Thierry De Mey

      Computer-Music Designers/Professors

      Simone Conforti, Jean Lochard, Grégoire Lorieux, Sébastien Naves, Claudia Scroccaro

      Resource Center

      Aurore Baudin, Jérôme Boutinot, Jean-Paul Rodrigues

      Creation & Production

      Production Director

      Director: Cyril Béros
      Raphaël Bourdier, Anne Guyonnet, Aurèlia Ongéna, Clotilde Turpin, Florian Bergé

      Computer-Music Designers

      Thomas Goepfer, Carlo Laurenzi, Serge Lemouton, Benjamin Levy, Augustin Muller

      Sound Engineers

      Manager: Jérémie Henrot
      Luca Bagnoli, Jérémie Bourgogne, Sylvain Cadars, Clément Cerles

      Technical Management

      Responsable technique de la production: Aline Morel
      Florent Simon

      Room Manager

      Éric de Gélis

      Founder

      Pierre Boulez

      Edit
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