• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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      The IRCAM team

      Edit






      To contact a member of the IRCAM team, please note that all e-mail adresses are: firstname.lastname@ircam.fr

      Direction

      Director: Frank Madlener
      General Administrator: Michel Muckensturm
      Administrative Assistant : Sylvie-Léa Cohen

      General Services

      Finances

      Cristina Parreira-Ramos Da Silva, Mahdi Zigha

      Human Resources

      Director : Alexandra Magne
      Cristina Gomes, Patricia Martins

      Facilities and Security

      Manager : Maxime Jourdil
      Bruno Belfiore, Camille Brau, Benjamin François, Layachi Izem,  Jean-Paul Rodrigues, Chantal Vogel

      Communication and Partners

      Director: Marine Nicodeau
      Emilie Boissonnade, Mary Delacour, Alexandra Guzik, Deborah Lopatin, Claire Marquet

      Innovation & Research Ressources

      Director: Hugues Vinet
      Brigitte Cruz-Barney

      IT

      Manager: Rémi Desmonet
      Benjamin Boudoir,  Olivier Labat, Antoine Lorreyte, Ghislaine Montagne

      Web service


      Manager : Clément Gérard

      Laura Fremy

      Web Audio & Music

      Manager: Guillaume Pellerin

      Guillaume Piccarreta, Sébastien Piquemal

      Research: Creation Interfaces

      Greg Beller, Louise Enjalbert, Stéphanie Leroy, Paola Palumbo, Tom Debrito

      The mixed STMS research lab

      (Sciences and Technologies for Music and Sound)

      Direction

      Director: Brigitte d'Andréa-Novel
      Deputy Director : Nicolas Misdariis
      Brigitte Cruz-Barney, Anne-Marie Vaudeville (CNRS), Camila Cardero, Vasiliki Zachari

      Head Researchers

      Acoustic and Cognitive Spaces : Olivier Warusfel
      Perception and Sound Design : Nicolas Misdariis
      Sound Analysis-Synthesis : Axel Roebel
      Sound Systems and Signals : Audio/Acoustics, Instruments : Thomas Hélie (CNRS)
      Musical Representations : Gérard Assayag
      Analysis of Musical Practices : Clément Cannone (CNRS)
      Sound Music Movement Interaction : Frédéric Bevilacqua

      Researchers and Engineers

      Carlos Agon Amado (Sorbonne Université), Benoit Alary,  Mondher Ayari (Univ. Strasbourg),  Baptiste Bacot (CNRS), Georges Bloch (Univ. Strasbourg), Alain Bonardi (Univ. Paris 8), Joakim Borg, Riccardo Borghesi, Frederik Bous, Henri Boutin (Sorbonne Université),  Thibaut Carpentier (CNRS),  Alice Cohen-Hadria (Sorbonne Université), Frédéric Cornu, Guillaume Doras, Philippe Esling (Sorbonne Université), Laurent Feneyrou (CNRS), François-Xavier Feron (CNRS), Lawrence Fyfe (CNRS), Emmanuel Fléty, Jean-Louis Giavitto (CNRS),  Emily Graber (CNRS),  Pierre Guillot, Karim Haddad,  Olivier Houix, Coralie Joucla,  Mikhail Malt, Benjamin Matuszewski, Rémi Mignot, Jérôme Nika, Markus Noisternig, Nicolas Obin (Sorbonne Université),  Charles Picasso (CNRS), Robert Piéchaud,  Emmanuel Ponsot (CNRS), Arnaud Recher (CNRS),  David Roze (CNRS),  Pierre Saint-Germier (CNRS), Diemo Schwarz, Patrick Susini,  Isabelle Viaud-Delmon (CNRS), Coralie Vincent (CNRS), Marc Wijnand (Sorbonne Université).

      Doctoral Students

      Théis Bazin, Giovanni Bindi, Baptiste Bouvier,  Antoine Caillon,  Ninon Devis, Constance Douwes, Matthieu Duroyon, Mireille Fares, Loîc Forma,  Martin Fouilleul, David Genova, Aliénor Golvet, Nadia Guerouaou, Lisa La Pietra, Paul Lascabettes, Antoine Lavault, Clément Le Moine, Vincent Martos, Victor Paredes, Waradon Phokhinanan,  Lenny Renault, Claire Richards, Thomas Risse, Gonzalo Romero, Léane Salais, Yann Teytaut, Alexis Thibault,  Colette Voisembert.

      Artistic Creation

      Artistic Director

      Director: Frank Madlener
      Artistic Programming Deputy Director: Suzanne Berthy
      Natacha Moënne-Loccoz

      Education and Cultural Outreach

      Director:  Philippe Langlois
      Murielle Ducas, Cyrielle Fiolet, Stéphanie Leroy

      Computer-Music Designers/Professors

      Simone Conforti, Jean Lochard, Grégoire Lorieux/Johannes Regnier,  Sébastien Naves, Claudia Scroccaro

      Resource Center

      Aurore Baudin, Jérôme Boutinot, Jean-Paul Rodrigues

      Creation & Production

      Production Director

      Director: Cyril Béros
      Florian Bergé, Raphaël Bourdier, Anne Guyonnet, Aurèlia Ongéna, Clotilde Turpin

      Computer-Music Designers

      Thomas Goepfer, Carlo Laurenzi, Serge Lemouton, Augustin Muller, Dionysios Papanikolaou

      Sound Engineers

      Manager: Jérémie Henrot
      Luca Bagnoli, Jérémie Bourgogne, Sylvain Cadars, Clément Cerles, Grégoire Lavaud

      Technical Management

      Responsable technique de la production: Aline Morel
      Nicolas Poulet, Quentin Vouaux

      Room Manager

      Éric de Gélis, Bastien Sabarros

      Founder

      Pierre Boulez

      Edit
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