• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
    • Innovative art-science-technology processes
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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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      The IRCAM team

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      Direction

      Director : Frank Madlener
      General Administrator : Michel Muckensturm
      Administrative Assistant : Sylvie-Léa Cohen

      General Services

      Finances

      Cristina Parreira-Ramos Da Silva, Mahdi Zigha

      Human Resources

      Director : Alexandra Magne
      Cristina Gomes, Patricia Martins, Céline Ré

      Facilities and Security

      Manager : Maxime Jourdil
      Bruno Belfiore, Camille Brau, Benjamin François, Layachi Izem,  Jean-Paul Rodrigues, Chantal Vogel

      Communication and Partners

      Director: Marine Nicodeau
      Clotilde Couturier, Mary Delacour, Pauline Destouches, Alexandra Guzik, Deborah Lopatin, 

      Innovation & Research Ressources

      Director: Hugues Vinet
      Brigitte Cruz-Barney

      IT

      Manager: Rémi Desmonet
      Benjamin Boudoir,  Léo Dubois

      Web service

      Manager : Salah Eddine Chaouch
      Laura Fremy, Guillaume Piccarreta

      Research: Creation Interfaces

      Greg Beller, Karin Laenen, Paola Palumbo

      The mixed STMS research lab

      (Sciences and Technologies for Music and Sound)

      Direction

      Director : Charlotte Truchet
      Deputy Director : Markus Noisternig
      Brigitte Cruz-Barney, Noëlle Fédit, Vasiliki Zachari

      Head Researchers

      Acoustic and Cognitive Spaces : Olivier Warusfel
      Perception and Sound Design : Nicolas Misdariis
      Sound Analysis-Synthesis : Axel Roebel
      Sound Systems and Signals : Audio/Acoustics, Instruments : Thomas Hélie (CNRS)
      Musical Representations : Gérard Assayag
      Analysis of Musical Practices : Clément Cannone (CNRS)
      Sound Music Movement Interaction : Frédéric Bevilacqua

      Researchers and Engineers

      Carlos Agon Amado (Sorbonne Université), Benoit Alary,  Mondher Ayari (Univ. Strasbourg),  Hélène Bahu, Baptiste Bacot (CNRS), Georges Bloch (Univ. Strasbourg), Alain Bonardi (Univ. Paris 8), Riccardo Borghesi, Henri Boutin (Sorbonne Université),  Thibaut Carpentier (CNRS),  Alice Cohen-Hadria (Sorbonne Université), Frédéric Cornu, Guillaume Doras, Philippe Esling (Sorbonne Université), Laurent Feneyrou (CNRS), François-Xavier Feron (CNRS), Lawrence Fyfe (CNRS), Emmanuel Fléty, Jean-Louis Giavitto (CNRS),  Emily Graber (CNRS),  Pierre Guillot, Karim Haddad,  Olivier Houix, Mikhail Malt, Benjamin Matuszewski, Rémi Mignot, Jérôme Nika, Markus Noisternig, Nicolas Obin (Sorbonne Université),  Charles Picasso (CNRS), Robert Piéchaud,  Emmanuel Ponsot (CNRS), Arnaud Recher (CNRS),  David Roze (CNRS),  Pierre Saint-Germier (CNRS), Diemo Schwarz, Patrick Susini,  Isabelle Viaud-Delmon (CNRS), Coralie Vincent (CNRS).

      Doctoral Students

      Mathilde Abrassart,  Giovanni Bindi, Clara Boukhemia, Nils Demerle,  César Delomosne, Matthieu Duroyon, Michele El Khoury, Paul Esteve, Marco Fiorini, David Genova, Aliénor Golvet,  Louise Grebel, Teo Guichoux, Lisa La Pietra, Paul Lascabettes, Théodor Lemerle, Sébastien Li, Maximino Linares, Vincent Martos, Sarah Nabi, Victor Paredes,  Yohann Rabearivelo,  Thomas Risse, Simon Rouard, Sébastien Roux, Armand Schwarz, Orian Sharoni, Nicolas Souchal, Hector Teyssier, Diego Andres Torres Guarin.

      Artistic Creation

      Artistic Director

      Director: Frank Madlener
      Artistic Programming Deputy Director: Suzanne Berthy
      Natacha Moënne-Loccoz

      Education and Cultural Outreach

      Director:  Philippe Langlois
      Murielle Ducas/Lauren Lefebvre, Cyrielle Fiolet, Stéphanie Leroy

      Computer-Music Designers/Professors

      Simone Conforti, Grégoire Lorieux,  Sébastien Naves, Claudia Scroccaro

      Resource Center

      Aurore Baudin, Jérôme Boutinot, Jean-Paul Rodrigues

      Creation & Production

      Production Director

      Director: Cyril Béros
      Florian Bergé, Raphaël Bourdier, Aurèlia Ongéna, Clotilde Turpin, Iris Tripodi, Lorraine Guyot

      Computer-Music Designers

      Thomas Goepfer, Carlo Laurenzi, Serge Lemouton, Augustin Muller, Dionysios Papanikolaou

      Sound Engineers

      Manager: Jérémie Henrot
      Luca Bagnoli, Jérémie Bourgogne, Sylvain Cadars, Clément Cerles, Grégoire Lavaud

      Technical Management

      Responsable technique de la production: Jonathan Durand
      Nicolas Poulet, Jean-Jacques Mondoloni

      Room Manager

      Éric de Gélis, Bastien Sabarros

      Founder

      Pierre Boulez

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