Artistic Research Residency 2017
Scrisp: a scripting language for bach.
In collaboration with the Musical Representations Team.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Composer (Italy)
Andrea Agostini studied composition and electronic music in Bologna and then went on to perfect his skills in Italy and France, where he attended IRCAM's Cursus program in composition and computer music. He composes instrumental, electroacoustic, and mixed music, has won prizes and awards in international competitions, and receives commissions from numerous institutions. His works are regularly performed at festivals and concerts.
His curiosity for different musical languages led him to work in the fields of rock and improvised music, and to be interested in non-Western musical practices.
He is also active in the field of computer music: with Daniele Ghisi, he developed, ''bach: automated composer's helper'' and ''cage'', libraries of computer tools for computer-aided composition; he worked as a composer and a researcher at IRCAM, then as a research associate at the Haute École de musique de Genève. He now teaches electronic music at the Turin Conservatory.
He is a founding member of the composers' collective /nu/thing.
Scrisp: a scripting language for bach.
In collaboration with the Musical Representations Team.