The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
We are pleased to announce the results of the tenth edition of the Artistic Research Residency Program at IRCAM. The laureates are:
David Franzson
"An Urban Archive as an English Garden–Acoustic Landscaping in Time and Space"
In collaboration with the Acoustic and Cognitive Spaces IRCAM Team and the Zentrum für Kunst und Medien (ZKM)
Raphaël Imbert et Benjamin Lévy
"AI Swing ! Analyse & Improvisation / Artificial Intelligence / Artwork & Interdisciplinarity"
In collaboration with the Musical Representations IRCAM Team and the Analysis of Musical Practices IRCAM Team
Vincent Isnard et Trami NGuyen
"Perceptual strangeness in virtual reality"
In collaboration with the Acoustic and Cognitive Spaces IRCAM Team
Frédéric Le Bel
"Towards an interdisciplinary approach for automated high-level audio description"
In collaboration with the Sound Analysis-Synthesis IRCAM Team and the Perception et Sound Design IRCAM Team
Éric Raynaud
"Symbiosis"
In collaboration with the Acoustic and Cognitive Spaces IRCAM Team and the Société des Arts Technologiques (SAT)
Nadine Schütz
"Urban land sound design – composing in(to) the existing"
In collaboration with the Acoustic and Cognitive Spaces IRCAM Team and the Perception et Sound Design IRCAM Team
Marco Antonio Suarez Cifuentes
"Composing spaces and perception / REVELO"
In collaboration with the Sound Music Movement Interaction IRCAM Team and the Zentrum für Kunst und Medien (ZKM)
Hans Peter Stubbe Teglbjærg
"The nonlinear spring"
In collaboration with the Sound Systems and Signals: Audio/Acoustics, InstruMents IRCAM Team and the Zentrum für Kunst und Medien (ZKM)