Sound Systems and Signals: Audio/Acoustics, InstruMents
The team is interested in exploring, understanding, reproducing, and inventing sound objects in audio, acoustics, focusing on musical instruments and the production of the human voice.
More precisely, the objectives are to model, simulate, identify, and optimize these systems (voice, musician/instrument, loudspeakers, audio electronic effects, etc.) using physics to reveal and benefit from their intrinsic structures. The team creates methods for analysis, transformation, control, and simulation of sounds as well as tools to assist conception in virtual, real, or hybrid paradigms.
This global approach, “systems and signals” creates a synergy in the conception of these tools, connecting—not merely juxtaposing—several disciplines and scientific fields: physics, theory of systems and control, differential geometry, numerical analysis, signal processing, computer science, electronics, mechatronics, and robotics. Target applications concern scientific, artistic, educational, and healthcare domains.
Major Themes
- Physical modeling of musical instruments and voice
- Sound synthesis based on physical modeling
- Experimental robotic platforms: robotic artificial mouth to play brass instruments, robotic apparatus at a 1:1 scale
- Identification of non-linear systems
- Control of non-linear systems
- Instrumental acoustics
Specialist Areas
Acoustics, mechanics, non-linear systems, control, signal theory, differential geometry, digital analysis, experimentation, mechatronics, real and virtual instrument-making, sound synthesis.
Collaborations
Athena-RIC (Greece), Cabrilog SAS (France), Cambridge University (United Kingdom), C2RMF-Louvre, C2RMF et Louvre-Lens (Paris), Centre Bernoulli-EPFL (Switzerland), CHU Liège, EPCC-Edinburgh Univ. (United Kingdom), GIPSA-lab (Grenoble), IJLRA-Sorbonne Université (Paris), IMJPRG-Sorbonne Université (Paris), Imperial College London (United Kingdom), ISAE-SUPAÉRO (Toulouse), LAGEP-université Lyon-1 (Lyon), LaSiE-université de la La Rochelle (France), LEOPOLY (Hongrie), LMA-CNRS (Marseille), LMD-ENS (Paris), Mines ParisTech (Paris), Musée de la musique - Philharmonie de Paris, NTNU (Trondheim, Norway), Thalès Group (France).
Research topics and related projects
Augmented instrument-making
Prototypes of musical instruments, or components of musical instruments, that can be used in concert have been produced in this project
The Augmented Instruments
Acoustic instruments that have been fitted with sensors
European and national projects
iMuSciCA
Educational project that intends to improve the acquisition of scientific skills in secondary-level education
ANIMAGLOTTE
Artificial System of Ex Vivo Animation of the Larynx
Cagima
global Acoustic Conception of Reed Musical Instruments, In Tune and Homogeneous
INFIDHEM
Interconnected inFInite-Dimensional systems for HEterogeneous Media
OndesMartenots
Virtualisation d’instruments de musique électroniques et clonage analogique/numérique de composants pour la conservation
Wasabi
Web Audio Semantic Aggregated in the Browser for Indexation
Softwares (design & development)
Modalys
The Snail-Absolute Tuning
Team
Head Researcher : Thomas Hélie
Researchers & Engineers : David Roze, Robert Piéchaud
Doctoral Students : Loïc Forma, Alexis Thibault, Victor Wetzel, Pierre Carré, Marc Wijnand
Guest Researcher : Brigitte d'Andréa-Novel
: Colette Voisembert, Judy Najnudel
Collaborations
Athena-RIC (Greece), Cabrilog SAS (France), Cambridge University (United Kingdom), C2RMF-Louvre, C2RMF et Louvre-Lens (Paris), Centre Bernoulli-EPFL (Switzerland), CHU Liège, EPCC-Edinburgh Univ. (United Kingdom), GIPSA-lab (Grenoble), IJLRA-Sorbonne Université (Paris), IMJPRG-Sorbonne Université (Paris), Imperial College London (United Kingdom), ISAE-SUPAÉRO (Toulouse), LAGEP-université Lyon-1 (Lyon), LaSiE-université de la La Rochelle (France), LEOPOLY (Hongrie), LMA-CNRS (Marseille), LMD-ENS (Paris), Mines ParisTech (Paris), Musée de la musique - Philharmonie de Paris, NTNU (Trondheim, Norway), Thalès Group (France).
