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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
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    • Sound Workshop
    • The Musical Body
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    • Finished Projects
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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
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    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
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  • Poésie pour pouvoir - Boulez 100








Fri 12 December 2025,
8 p.m.
Cité de la musique - Philharmonie de Paris
Salle des concerts
Downloads

programme_poesie_pour_pouvoir.pdf

Prices

Full : 24 €
Discount Price : 20.40 €
IRCAM Pass : 18 €
Youth Pass : 8 €

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Creation
Concert






Poésie pour pouvoir - Boulez 100

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With Poésie pour pouvoir, Pierre Boulez was already outlining the spatialized sound architecture of Répons as early as 1958. Two orchestras and a group of soloists interact with fixed electronics, from which the incantatory poetry of Henri Michaux emerges. Reconstructed for electronics by Marco Stroppa, this rarely heard work is presented alongside two masterpieces by Stravinsky and Berg—composers Boulez championed throughout his life. Betsy Jolas, in turn, reflects on “those beautiful years” of the first Aix-en-Provence Festival.

Tamara Bounazou soprano
Diego Tosi violin
Ensemble intercontemporain
Orchestre du Conservatoire de Paris
Jean Deroyer conductor*
Pierre Bleuse conductor
Marco Stroppa, Carlo Laurenzi IRCAM electronics reconstruction and interpretation*
Yann Boudaud recorded voice*
Luca Bagnoli IRCAM sound diffusion*
Christian Merlin presentation of Poésie pour pouvoir

Pierre Boulez Poésie pour pouvoir (based on “Je Rame” by Henri Michaux) - French Premiere
Reconstruction commissioned by the Lucerne Festival. Co-production: IRCAM–Centre Pompidou, Lucerne Festival. With support from the Ernst von Siemens Music Foundation 
Betsy Jolas Ces belles années…
Igor Stravinsky Symphonies d'instruments à vent
Alban Berg Concerto pour violon « À la mémoire d'un ange »

Pre-concert

Introduction to the works at 7 PM, in the Coursives of the Cité de la musique.

Edit
  • https://philharmoniedeparis.fr/fr
Co-production: Ensemble intercontemporain, Conservatoire national supérieur de musique et de danse de Paris, Philharmonie de Paris. In partnership with IRCAM–Centre Pompidou. Concert recorded by France Musique.
  • L'Ensemble intercontemporain dirigé par Pierre Bleuse, janvier 2025 à la Philharmonie de Paris  © Ensemble intercontemporain, photo : Pierre Bleuse
    L'Ensemble intercontemporain dirigé par Pierre Bleuse, janvier 2025 à la Philharmonie de Paris © Ensemble intercontemporain, photo : Pierre Bleuse
  • L'Orchestre du Conservatoire de Paris  © Mathias Benguigui
    L'Orchestre du Conservatoire de Paris © Mathias Benguigui
  • La compositrice Betsy Jolas  © Fernand Michaud © Gallica BnF
    La compositrice Betsy Jolas © Fernand Michaud © Gallica BnF

To find out more

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Creation

Pierre Boulez: Composer, Teacher, Communicator

Article
To evoke Pierre Boulez is to acknowledge the many dimensions of his work, each intricately woven together through deep connections and mutual influence. Composer, conductor—by necessity rather than d…
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Creation

Pierre Boulez's Life in Sparks

Article
On 26 March 2025, we celebrate the centenary of the birth of composer and conductor Pierre Boulez. To mark the occasion, we present the key dates in the long career of the man who founded and directe…
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Boulez 2025

Article
Editorial by Frank Madlener. Pierre Boulez will always be remembered as a man of pragmatic imperatives: "Do, act, above all, do not reproduce." This command, often heard, was carried out on multiple …
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Boulez and the founding of Ircam : introduction

Article
The testimonies of some of Pierre Boulez's fellow travellers are presented as part of the RAMHO Musical Research and Acoustics in France : an Oral History project.
News
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Boulez and the Founding of Ircam 2/4 : Meeting with Michel Decoust

Article
At the request of Marcel Landowski, Michel Decoust established the Orchestre des Pays de la Loire between 1967 and 1970, before moving on to the Maison de la Culture in Rennes and the Maison de la Cu…
News
Creation

Boulez and the Founding of Ircam 3/4: Meeting with Brigitte Marger

Article
Born in 1936, Brigitte Marger was an English teacher before taking up posts as a chargé de mission at the Directorate-General for Cultural Relations of the Ministry of Foreign Affairs and as cultural…
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