• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Fictions-Science: Manipulating Voices








Fri 13 January 2023,
7 p.m.- 8:30 p.m.
Ircam
salle Stravinsky
Prices

Free entry, limited seats available

Live on IRCAM's Youtube channel

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Research
Encounter






Fictions-Science: Manipulating Voices

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L'Ircam en Fête
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The Fictions-Science series is a dive into the depths of today's science and art. This new series of events developed by the Bpi, La Parole-Centre Pompidou, and IRCAM focuses on participatory science and shared experiences among researchers, artists, and the general public around an innovative personality or field. Fictions-Science invites us to project ourselves into the near future, our present, through recent works and innovations, through their explosive or unsuspected effects on the society to come.

You have no idea what a voice can do! January's Fictions-Science is dedicated to the manipulation of the voice. The voice that we identify as an individual's own has become a favorite object of artificial intelligence. Communication and expressiveness, affect and health, cloning and deepfake, a voice can be transformed, metamorphosed, simulated through deep learning technologies. Tonight's guests discuss the advances and the ethical and anthropological consequences of the manipulated voice.

Meeting animated by Natacha Triou producer, France Culture
With Catherine Dufour author
Nadia Guerouaou clinical psychologist, PhD student in the Perception and Sound Design (STMS lab/CNRS/IRCAM Paris) and Plasticity and Subjectivity (Lille Neuroscience & Cognition Centre lab/INSERM/CHRU de Lille) teams
Jean Lassègue CNRS research fellow in anthropological and sociolinguistic linguistics
Axel Roebel Research Director, IRCAM-STMS

Video presentation of the installation The Masters at the NTT ICC Museum in Tokyo, by Elena Knox, contemporary artist and art-science researcher

Scientific advisor Jean-Louis Giavitto, CNRS research director, IRCAM-STMS.

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Coproduction IRCAM/Public Information Library/La Parole-Centre Pompidou. In partnership with France Culture, Science et Vie.

#1 Fictions-Science : Alan Turing

June 2022, ManiFeste Festival

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Thursday 12 January 2023
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