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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Electro-Odyssey 2








Sat 14 January 2023,
10:30 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
Pass Ircam : 10 €
Youth Pass : 5 €

Concert debout

Ce concert est complet, découvrez l'ensemble des événements « Ircam en Fête

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Creation
Concert






Electro-Odyssey 2

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L'Ircam en Fête
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Deena Abdelwahed, self-taught, close to avant-garde clubbing, imagines her sets as research laboratories, integrating Arabic singing and experimental techno. Producer and DJ, Deena Abdelwahed arrived in France at the age of 26 after having made her debut on the Tunisian scene with the Arabstazy collective. Her musical explorations reappropriate the diversity of Arab music, shifting the epicenter of contemporary electronic music to the south, and integrating all the influences of club music. She has signed several records on the inFiné label including Khonnar and Dhakar. She has performed live and DJ sets at the Sonar Festival in Barcelona, the CTM Festival in Berlin, the Mutek Festival in Mexico City, and at Berghain in Berlin.

At IRCAM for the Electro-Odyssée, she is interested in the new possibilities of digital percussion and the microtonality of the voice.

Deena Abdelwahed
Electronic diffusion IRCAM Robin Meier
Sound diffusion IRCAM Clément Cerles

Production IRCAM-Centre Pompidou. With the support of AXA, exclusive sponsor of the Espace de projection. In partnership with Libération, Le Bonbon.
Photo : Deena Abdelwahed © Décibels Productions.

For safety reasons, the Espace de projection is not accessible to visitors with reduced mobility. We apologize for the inconvenience.

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Saturday 14 January 2023
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Thursday 12 January 2023
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Tuesday 17 January 2023
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L'Ircam en Fête with Florent Caron Darras (Premiere), Olivier Messiaen, Natasha Barret
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