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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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  • Electro-Odyssey 2








Sat 14 January 2023,
10:30 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
Pass Ircam : 10 €
Youth Pass : 5 €

Concert debout

Ce concert est complet, découvrez l'ensemble des événements « Ircam en Fête

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Creation
Concert






Electro-Odyssey 2

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L'Ircam en Fête
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Deena Abdelwahed, self-taught, close to avant-garde clubbing, imagines her sets as research laboratories, integrating Arabic singing and experimental techno. Producer and DJ, Deena Abdelwahed arrived in France at the age of 26 after having made her debut on the Tunisian scene with the Arabstazy collective. Her musical explorations reappropriate the diversity of Arab music, shifting the epicenter of contemporary electronic music to the south, and integrating all the influences of club music. She has signed several records on the inFiné label including Khonnar and Dhakar. She has performed live and DJ sets at the Sonar Festival in Barcelona, the CTM Festival in Berlin, the Mutek Festival in Mexico City, and at Berghain in Berlin.

At IRCAM for the Electro-Odyssée, she is interested in the new possibilities of digital percussion and the microtonality of the voice.

Deena Abdelwahed
Electronic diffusion IRCAM Robin Meier
Sound diffusion IRCAM Clément Cerles

Production IRCAM-Centre Pompidou. With the support of AXA, exclusive sponsor of the Espace de projection. In partnership with Libération, Le Bonbon.
Photo : Deena Abdelwahed © Décibels Productions.

For safety reasons, the Espace de projection is not accessible to visitors with reduced mobility. We apologize for the inconvenience.

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Les événements Ircam en fête

Performance
Creation

Electro-Odyssey 1

Thursday 12 January 2023
Ircam
L'Ircam en Fête with Lucie Antunes, Tovel x 1024 architecture
Concert
Creation

(more)OXYMORE

Saturday 14 January 2023
Ircam
L'Ircam en Fête with Jean-Michel Jarre
Encounter
Research

Open House

Saturday 14 January 2023
Ircam
L'Ircam en Fête
Encounter
Research

Fictions-Science: Manipulating Voices

Friday 13 January 2023
Ircam
L'Ircam en Fête
Concert
Creation

Seconde nature

Tuesday 17 January 2023
Ircam
L'Ircam en Fête with Florent Caron Darras (Premiere), Olivier Messiaen, Natasha Barret
Ircam

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