• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • Rendez-vous in Paris
  • (more)OXYMORE








Sat 14 January 2023,
6 p.m., and
8 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
Pass Ircam : 10 €
Youth Pass : 5 €

Concert debout

Ce concert est complet, découvrez l'ensemble des événements « Ircam en Fête

Edit
Creation
Concert






(more)OXYMORE

Edit






L'Ircam en Fête
Edit






Jean-Michel Jarre, a popular and emblematic figure of electronic music, has imagined with OXYMORE, his 22nd studio album, a tribute to the pioneers of concrete music in France: Pierre Henry and Pierre Schaeffer. OXYMORE incorporates certain sound elements inherited from Pierre Henry but the adventure is also radically oriented towards the future. OXYMORE is the first commercial album of this scale, conceived and composed in multichannel and binaural sound, and mixed in 360° audio in the "Innovation" studios at Radio France with the complicity of Hervé Déjardin. Multiplying the strata and layers in the image of a surrealist compound/collage, OXYMORE integrates all the possibilities of binaural: bringing together artifice and natural listening, the studio and 360-degree sound projection. In line with issues raised by the Metaverse that concern the artist, producer, and cultural ambassador Jean-Michel Jarre, sound immersion reveals a complete world, without the need for a visual medium.

With the performance of (more)OXYMORE and its specific prologue, Jean-Michel Jarre takes advantage of the characteristics of the IRCAM's Espace de projection, of its acoustics that can be modulated and modified ad infinitum.

360 audio mixing, Radio France Hervé Déjardin
Sound diffusion IRCAM Clément Cerles
Electronic diffusion IRCAM Manuel Poletti

With the support of AXA, exclusive sponsor of the Espace de projection. In partnership with Libération, Le Bonbon.

For safety reasons, the Espace de projection is not accessible to visitors with reduced mobility. We apologize for the inconvenience.

Edit
  • Oxymore de Jean-Michel Jarre, 2022  © Damien Bresson
    Oxymore de Jean-Michel Jarre, 2022 © Damien Bresson
  • Oxymore de Jean-Michel Jarre, 2022  © Damien Bresson
    Oxymore de Jean-Michel Jarre, 2022 © Damien Bresson
  • Jean-Michel Jarre  © François Rousseau
    Jean-Michel Jarre © François Rousseau
  • Oxymore de Jean-Michel Jarre, 2022  © Damien Bresson
    Oxymore de Jean-Michel Jarre, 2022 © Damien Bresson

Les événements Ircam en fête

Concert
Creation

Electro-Odyssey 2

Saturday 14 January 2023
Ircam
L'Ircam en Fête with Deena Abdelwahed
Encounter
Research

Open House

Saturday 14 January 2023
Ircam
L'Ircam en Fête
Encounter
Research

Fictions-Science: Manipulating Voices

Friday 13 January 2023
Ircam
L'Ircam en Fête
Performance
Creation

Electro-Odyssey 1

Thursday 12 January 2023
Ircam
L'Ircam en Fête with Lucie Antunes, Tovel x 1024 architecture
Concert
Creation

Seconde nature

Tuesday 17 January 2023
Ircam
L'Ircam en Fête with Florent Caron Darras (Premiere), Olivier Messiaen, Natasha Barret
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • Legal Notes
  • General Conditions
  • Espace Pro
Copyright © 2023 Ircam. All rights reserved.