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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Electro-Odyssey 1








Thu 12 January 2023,
8 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
Pass Ircam : 10 €
Youth Pass : 5 €

Concert debout

Ce concert est complet, découvrez l'ensemble des événements « Ircam en Fête

 

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Creation
Performance






Electro-Odyssey 1

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L'Ircam en Fête
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Electro-Odyssée invites artists new to IRCAM to discover the possibilities of working in our studios. Audio technology and know-how broaden the expressive power of electronic music. A sonic odyssey for contemporary and experimental music!

A drummer and percussionist trained at the Lyon Conservatory, Lucie Antunes was inspired by the minimalist movement and is a fan of electroacoustics. She tried her hand at experimental pop music before embarking on a career as a director with choreographers, musicians, and performers. Supported by the label InFiné, Antunes explores here the tension and the virtuoso play between real and virtual lutherie.

Can you dance to contemporary music? This question raised by Tovel (aka Matteo Franceschini) led him to push the form of the "classical concert" towards the "dance floor". This new version of Opus plays the constant interaction of the solo cellist with the video and light, elaborated by 1024 architecture. The technique of photogrammetry allows to scan and compose real images— in this case the unfinished constructions of the south of Italy—according to constantly changing points of view.

Lucie Antunes percussion, voice and electronic
Clémence Lasme double bass, moog and singing
Axel Rigaud saxophone
Franck Berthoux modulars
Electronic diffusion IRCAM Augustin Muller
Sound diffusion IRCAM Luca Bagnoli

Opus audio-visual performance - French premiere of the cello version

TOVEL (Matteo Franceschini) music
Commissioned by IRCAM-Centre Pompidou, ProQuartet-Centre européen de musique de chambre, and live electronics
1024 architecture (François Wunschel, Pier Schneider) visuals, live video, and scenography

Eric-Maria Couturier celo
Sound diffusion IRCAM Luca Bagnoli

Lucie Antunes : Production IRCAM-Centre Pompidou. Opus: Coproduction IRCAM-Centre Pompidou, La Scala Paris - Les Petites Heures, 1024 architecture. With the support of Mécénat Musical Société générale. With the support of AXA, exclusive sponsor of the Espace de projection. In partnership with Libération, Le Bonbon.

For safety reasons, the Espace de projection is not accessible to visitors with reduced mobility. We apologize for the inconvenience.

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  • L'artiste Lucie Antunes  © Marco Dos Santos
    L'artiste Lucie Antunes © Marco Dos Santos
  • Tovel et 1024 architecture, La Scala-Paris, 2019  © Ircam-Centre Pompidou, photo : Quentin Chevrier
    Tovel et 1024 architecture, La Scala-Paris, 2019 © Ircam-Centre Pompidou, photo : Quentin Chevrier
  • Tovel (alias Matteo Franceschini)  © Amandine Lauriol
    Tovel (alias Matteo Franceschini) © Amandine Lauriol

Opus, trailer of the version for string quartet

by Tovel x 1024 architecture

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L'Ircam en Fête
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