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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Traces of Antigone [live]








Wed 3 March 2021,
7 p.m.
Ircam

Free, on reservation.
Performances in English, subtitled in English

Zoom link for the performance
Meeting ID : 5870051339
Code d’accès : 030303

Join us at 6:30pm for the 7pm
This experience requires a specific set-up. Set up your computer before the performance begins using these instructions.

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Creation
Online Performance






Traces of Antigone [live]

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A New Global Agora For a Genderless Meta-space.
This interactive digital performance addresses the challenges of our times making possible a new way to direct and produce. Written by the contemporary Swedish playwright Christina Ouzounidis, this particular overpainting of Antigone’s ancient myth, is designed by Elli Papakonstantinou specifically for the Zoom platform used here as an alternative “stage” with the participation of an international cast of performers.

The Collective “the Absent Girls”
We, women of different ages and artistic backgrounds, have joined voices to traverse historicity of gender, reconfiguring domesticity and digital space. In our domestic confinement, we explore the vastness of the public agoras; framed in digital boxes, we remain transparent for the whole world to peep on us, yet, safe in the refuge of our innermost private space (unlike other women – victims of domestic violence).
Transparent yet mysterious; Empowered yet objectified; Private yet public; Present yet absent; Connected yet isolated; Certain yet uncertain.
This is who we are: “the Absent Girls”, in memory of all the women before us.

Concept & Art Direction Elli Papakonstantinou
Playwright Christina Ouzounidis
Translation Margarita Mellberg (into Greek), G.Carbone, E. Papakonstantinou, E. Dermitzaki (into English)
Music Composition Nalyssa Green, Katerina Papachristou
Scenography Myrto Lambrou
Visual Art Advisor Mary Zygouri
Movement Direction Valia Papachristou
Technical Assistant Charikleia Petraki, Korina Kotsiri

With Nalyssa Green (vocals/keyboards), Serafita Grigoriadou, Gemma Hansson Carbone, Valia Papachristou, Katerina Papachristou (vocals/keyboards/bass), Sophia Manoli

Traces of Antigone is winner of the Amazone Award
With support of France Culture.

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