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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Providence








June 8 through Sun 9 June 2019,
8:30 p.m.
MC93 - Maison de la Culture de Seine-Saint-Denis
Salle Christian Bourgois
Prices

Full : 35 €
Discount Price : 20 €
ManiFeste Card : 16 €
Young Card : 12 €

Special package for all 3 performances on the same day (Le Colonel des zouaves, Un mage en été, Providence).

Edit
Creation
Théâtre






Providence

Edit






Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
Edit






Robinson returns and invites us to his house near a lake to tell us stories. Now a “talking book”, he subtlety distills the deep or hilarious thoughts of his author. Among finely drawn portraits, descriptions of landscapes, spatial and temporal distortions, the return to reality.

Version without set

Ludovic Lagarde direction
Olivier Cadiot set
Laurent Poitrenaux actor
Antoine Vasseur set design
Sébastien Michaud lighting
Sébastien Naves IRCAM computer music design
David Bichindaritz sound realization
Marie La Rocca costumes
Cécile Kretschmar makeup and hair
Michael Salerno image conception
Cédric Scandella graphical conception
Sophie Engel dramaturgy
Céline Gaudier assistant director
Jean-Luc Plouvier musical advisor
Marion Stoufflet dramaturgy advisor
Éric Delpla contractor

Edit
La Comédie de Reims – CDN, Théâtre National de Strasbourg – CDN.Orléans/Loiret/Centre,
 IRCAM-Centre Pompidou, MC93 – Maison de la Culture de Seine-Saint-Denis, LE CENTQUATRE-Paris coproduction. Text published by éditions P.O.L.
  • Laurent Poitrenaux dans Providence  © Pascal Gély
    Laurent Poitrenaux dans Providence © Pascal Gély
  • Laurent Poitrenaux dans Providence  © Pascal Gély
    Laurent Poitrenaux dans Providence © Pascal Gély
  • Laurent Poitrenaux dans Providence  © Pascal Gély
    Laurent Poitrenaux dans Providence © Pascal Gély
  • Laurent Poitrenaux dans Providence  © Pascal Gély
    Laurent Poitrenaux dans Providence © Pascal Gély
  • Laurent Poitrenaux dans Providence  © Pascal Gély
    Laurent Poitrenaux dans Providence © Pascal Gély
  • Laurent Poitrenaux dans Providence  © Pascal Gély
    Laurent Poitrenaux dans Providence © Pascal Gély

En lien avec

Théâtre
Creation

Un mage en été

8 June to 9 June 2019
MC93 - Maison de la Culture de Seine-Saint-Denis
Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
Théâtre
Creation

Le colonel des zouaves

8 June to 9 June 2019
MC93 - Maison de la Culture de Seine-Saint-Denis
Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux

Providence

Premiere by the author Olivier Cadiot, directed by Ludovic Lagarde
Published by P.O.L. in the beginning of 2015, Providence by Olivier Cadiot is not a text written for the stage, even less with the idea that computer music take it over. It is a four-sided tale, writ…
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