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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Un mage en été








June 8 through Sun 9 June 2019,
6 p.m.
MC93 - Maison de la Culture de Seine-Saint-Denis
salle Oleg Efremov
Prices

Full : 35 €
Discount Price : 20 €
ManiFeste Card : 16 €
Young Card : 12 €

Special package for all 3 performances on the same day (Le Colonel des zouaves, Un mage en été, Providence).

Edit
Creation
Théâtre






Un mage en été

Edit






Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
Edit






Robinson has become a mage whose crystal ball becomes a tool for visions and feelings, enabling him to live immediately, “directly, like this” what he sees. The mage loops through his memories, poet of an immobile journey, in an unstable balance, in zero gravity.

Ludovic Lagarde direction
Olivier Cadiot text
Laurent Poitrenaux actor
Antoine Vasseur set design
Sébastien Michaud lighting
Fanny Brouste costumes
Cédric Scandella image conception
Marion Stoufflet dramaturgy
Grégory Beller IRCAM computer music design
David Bichindaritz sound realization
Stéfany Ganachaud choreographies and movements
Jonathan Michel video
Brice Martin Graser creative code

Edit
A Festival d’Avignon, IRCAM/Les Spectacles vivants — Centre Pompidou, Centre dramatique national Orléans/Loiret/Centre, Comédie de Reims — CDN coproduction. Text published by éditions P.O.L.

Images of Work #9: Un mage en été by Olivier Cadiot and Ludovic Lagarde

"Magician nonetheless, it's not so bad, I have the gift of moving". The beginnings of a collaborative effort between Cadiot/Lagarde and IRCAM. Today, how can the "transports" of this new witch be made perceptible, how can we blow up the unit and not the scene? Vocal transformations in real-time, spatialization, scale changes—in space and time, becoming molecular or geographic, from quark to Google Earth, the voice of Proust to that of Robison... © IRCAM, 2010

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    The film "Images of Work #9"
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    Bonus: Interview with Olivier Cadiot
  • Your browser does not support the video tag.
    Bonus: Interview with Ludovic Lagarde

En lien avec

Théâtre
Creation

Providence

8 June to 9 June 2019
MC93 - Maison de la Culture de Seine-Saint-Denis
Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
Théâtre
Creation

Le colonel des zouaves

8 June to 9 June 2019
MC93 - Maison de la Culture de Seine-Saint-Denis
Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
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