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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Le colonel des zouaves








June 8 through Sun 9 June 2019,
3:30 p.m.
MC93 - Maison de la Culture de Seine-Saint-Denis
Nouvelle salle
Prices

Full : 35 €
Discount Price : 20 €
ManiFeste Card : 16 €
Young Card : 12 €

Special package for all 3 performances on the same day (Le Colonel des zouaves, Un mage en été, Providence).

Edit
Creation
Théâtre






Le colonel des zouaves

Edit






Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
Edit






The first appearance of Robinson, the reoccurring hero through whom Olivier Cadiot expresses himself, as a zealous butler-valet obsessed by his desire for perfect service, attempting to control everything he says and does, meticulous and delusional confined to self-exploitation.

Ludovic Lagarde direction and set design
Olivier Cadiot text
Laurent Poitrenaux actor
Gilles Grand music
Ludovic Lagarde set design
Sébastien Michaud lighting
Virginie et Jean-Jacques Weil costumes
With the artistic participation of Odile Duboc, choreographer

Edit
A compagnie Ludovic Lagarde, CDDB Théâtre de Lorient, Le Carreau — Scène Nationale de Forbach, La Comédie de Reims — CDN coproduction. Text published by éditions P.O.L in 1997, adapted for the stage the same year, monologue version and accelerated book.
  • Laurent Poitrenaux dans Le colonel des zouaves  © Pascal Victor
    Laurent Poitrenaux dans Le colonel des zouaves © Pascal Victor
  • Laurent Poitrenaux dans Le colonel des zouaves  © Pascal Victor
    Laurent Poitrenaux dans Le colonel des zouaves © Pascal Victor
  • Ludovic Lagarde  © DR
    Ludovic Lagarde © DR
  • Olivier Cadiot  © Jean-Luc Guérin
    Olivier Cadiot © Jean-Luc Guérin

En lien avec

Théâtre
Creation

Providence

8 June to 9 June 2019
MC93 - Maison de la Culture de Seine-Saint-Denis
Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
Théâtre
Creation

Un mage en été

8 June to 9 June 2019
MC93 - Maison de la Culture de Seine-Saint-Denis
Trilogie Ludovic Lagarde / Olivier Cadiot / Laurent Poitrenaux
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