Creative Dynamics
Creative Dynamics
Temporalité et spatialité musicales de la conscience morbide
Les cas Barraqué et Zimmermann
ABC_DJ
Artist-to-business-to-business-to-Consumer Audio branding System
ACIDS
Artificial Creative Intelligence and Data Science
ACTOR
Analysis, Creation, and Teaching of Orchestration
ALCOLL
Anlayse the collective in the musical creation processes
Computer-Assisted Composition (OpenMusic)
Design models techniques adapted to the creative process, incorporating paradigms for calculations as well as musical interactions and representations
Cosima
Collaborative Situated Media
DYCI2
Creative Dynamics for Improvised Interaction
EFFICAC(e)
Extended Frameworks For 'In-Time' Computer-Aided Composition
EV-Sound
Research and Design of the 2nd Generation Sound Signature for Electric Vehicles
Gemme
Musical Gesture: Models and Experiments
History of Acoustics in France
A reconstitution of the networks of institutions, actors, and instruments involved in the history of sound
Houle
Hierarchical Object based Unsupervised Learning
Improvised Musical Interactions - OMax & Co
Development of improvised man-machine musical interactions
Inedit
Interactivity in Writing of Interaction and Time
MAKIMOno
Create the first partnership of a true scientific theory of orchestration
Mathematics and Music
Algebraic Models, Topologies, and Categories in Computational Musicology
MERCI
Mixed Musical Reality with Creative Instruments
MICA
Musical Improvisation and Collective Action
Multimedia Publication Tools for Musicology
Standardize the original formats of multimedia publications on music
Orchestration
Comparison of the state of the art in musicology, in psychology of perception, and in computer music to create new tools
Orchestration Assistance
Tool to assist orchestration that is integrated in the software created at IRCAM
RapidMix
Real-time Adaptive Prototyping for Industrial Design of Multimodal Interactive eXpressive technology
REACH
Raising Co-Creativity in Cyber-Human Musicianship
Sample Orchestrator
Produce new applications based on content management and manipulation of sample banks
Sample Orchestrator 2
Create innovative functions intended for a new generation of software samplers
Tell the music
Sixty six years of composers written works (1950-2020)
Theories of Musical Composition of the 20th Century
Collective reference publication on the compositional theories
Vertigo
Encourages synergies between artists and R&D projects in the field of ICT supporting innovation
Wave
Web Audio: Editing/Visualization
Writing for Sound and Space
New approach to the representation of sounds via high-level programs
Writing Timed Interactions and Musical Synchronizations
Definition of complex interactions between performers and live electronics
Somax2
Somax 2 is an application for musical improvisation and composition. It is implemented in Max and is based on a generative model using a process similar to concatenative synthesis to provide stylistically coherent improvisation, while listening to and adapting to a musician (or any other type of audio or MIDI source) in real-time. The model is operating in the symbolic domain and is trained on a musical corpus, consisting of one or multiple MIDI files, from which it draws its material used for improvisation. The model can be used with little configuration to autonomously interact with a musician, but it also allows manual control of its generative process, effectively letting the model serve as an instrument that can be played in its own right.