The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Adrien Trybucki (France, 1993) is a composer of acoustic, mixed, and electronic music. The obsessive quality of his writing can be found in his first works and notably in Cinq Visions for orchestra; a piece that won the Île de créations award in 2014. His works have been performed in Europe, the United States, Korea, and on several European radio stations including France Musique.
After studying in Toulouse with Bertrand Dubedout and Guy-Olivier Ferla, he is now completing his Master’s degree at the CNSMD de Lyon with Philippe Hurel and Martin Matalon. During festivals and academies such as ManiFeste (IRCAM), Voix Nouvelles (Royaumont), and Lucerne, his compositional thought has been influenced by encounters with Philippe Leroux, Ivan Fedele, Michael Jarrell, Pierluigi Bilone, Wolfgang Rihm, and Raphaël Cendo.
He works with the ensembles Talea, Court-circuit, intercontemporain, Divertimento, [Switch~], the Diotima quartet, the Orchestre national d’Île-de-France, the Orchestre Ose, and the Maîtrise de Toulouse. His works are published by Durand-Universal and BabelScores.