• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Studio 5, Live








Sat 16 February 2019,
3 p.m.- 6 p.m.
Ircam
studio 5

Free entry, limited seats available.

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Transmission
Encounter






Studio 5, Live

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Education at IRCAM
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A center for research and artistic creation, IRCAM is also a unique venue for learning and the transmission of practices. Discover our educational offer via concerts, films, sound installations. Meet composers, students, and musicians involved. Watch short, fun demonstrations of software developed at the institute.

Program

Studio 2 | The DIRTI (Dirty Tangible Interfaces)

An interactive, playful, sonic system to test as a family

Gathered around independent, different-sized interactive boxes, children are invited to dig their hands into different materials that fill the boxes: feathers, tree bark, tapioca pearls. By manipulating the materials sound events are triggered, creating infinite individual or collective musical combinations.

Création musicale : Emmanuelle Lizère, Ariadna Alsina Tarrés
Conception: Matthieu Savary - User Studio
Conseillers techniques Ircam-STMS : Grégoire Lorieux, Diemo Schwarz, Emmanuel Fléty

Studio 3 | Discover Computer Music

3 & 3:30pmLive Coding
Creation and manipulation of a real-time sound processing program (Max)
Jean Lochard, computer music designer/professor 
4 & 4:30pmVoice Processing
Manipulation of a real-time voice processing program (Max)
Marco Liuni, computer music designer/professor  and researcher in the team Cream (Cracking the Emotional Code of Music)
5 & 5:30pmSculpt the Voice
Voice analysis and transformation (AudioSculpt)
Marco Liuni

Studio 5 | Compose, Interpret, Transmit

Introduction by Philippe Langlois
3pmConcert
Ariadna Alsina Tarrés, L’air cassé de la carapace (2016) 9’
Caroline De Nadaï accordion
IRCAM Computer Music Control Grégoire Lorieux
4pmConcert
Franck Bedrossian, The Edges are no longer Parallel (2013) 12’
Flavien Laffaille piano
IRCAM Computer Music Control Jean Lochard


Concerts followed by a discussion led by Grégoire Lorieux on teaching mixed music with the composers performed and the musicians.

5pmSound Design Diploma
With Émile Boudghène and Olivier Houix

Galerie

Information Desk on the educational activities at IRCAM

L’Électron, electroacoustic installation by Émile Boudghène inspired by Cristal Baschet
3-5pm : free entry
4:45 & 5:30pm: Résonances performance by and with Émile Boudghène

Conserve and Transmit: Resources Available at IRCAM
Exposition of scores and documentation from IRCAM’s multimedia library complete with musical surprises throughout the afternoon! 
 

Salle Shannon | Films

“A Year in the Cursus” 4-part series (35’) produced by Sophie Paviot (2016-2017)
Follow a class of young composers in the Cursus program at IRCAM throughout the year from their arrival in September until the concert presentation of their final works in during the ManiFeste festival.

Screening of a selection of films from the series “Images of a Work”
Follow the creative process of a work as it comes to life in IRCAM’s studios.

Participants

L’équipe du département pédagogie, action culturelle et documentation : Philippe Langlois directeur, Sophie Chassard, Murielle Ducas, Cyrielle Fiolet chargées d’études et de réalisations culturelles, Simone Conforti, Marco Liuni, Jean Lochard, Grégoire Lorieux, Mikhail Malt réalisateurs en informatique musicale chargés de l'enseignement, Thierry De Mey compositeur associé au Cursus, Pôle documentaire  Aurore Baudin, Roseline Drapeau documentalistes hypermédia, Jean-Paul Rodrigues magasinier.

Avec Émile Boudghène, diplômé du DNSEP Design sonore de l’École supérieure d’art et de design Tours-Angers-Le Mans, Olivier Houix, chercheur, équipe Perception et design sonores Ircam-STMS

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  • Jean Lochard, réalisateur en informatique musicale avec Cameron Crozman, violoncelliste et Maurizio Azzan, compositeur du Cursus  © Quentin Chevrier, 2018
    Jean Lochard, réalisateur en informatique musicale avec Cameron Crozman, violoncelliste et Maurizio Azzan, compositeur du Cursus © Quentin Chevrier, 2018
  • Parcours musique mixte  © Florence Grappin
    Parcours musique mixte © Florence Grappin
  • Parcours d'éducation artistique et culturelle
    Parcours d'éducation artistique et culturelle

Others "Studio 5, Live"

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Studio 5, Live

Saturday 19 January 2019
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Sound Design
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Research

Studio 5, Live

Saturday 6 October 2018
Ircam
New Instrument-Making and Instrumental Archeology-Instrument Fabrication at IRCAM
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