• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Studio 5, Live








Sat 19 January 2019,
3 p.m.- 6 p.m.
Ircam
studio 5

Free entry, limited seats available.

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Research
Encounter






Studio 5, Live

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Sound Design
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Situated at the convergence of art, science, and technology, sound design is an aesthetic and functional process: conceive sounds and integrate them in a space, a manufactured product, or a digital interface. Compose based on a finality, on a use, and on perception. The domains covered are multiple, from urban planning to communication, from the fabrication of objects to the emergence of new uses.

The scientists from the Sound Perception and Design team at IRCAM will present their projects applied to industrial sectors, born from a close partnership between scientists and composers. Issues surrounding training and professionalization will also be addressed and a workshop on applied sound design lets participants understand the subtlety and difficulties of a sound design production.

Participants: Sound Design and Perception team IRCAM-STMS with Olivier Houix, researcher, Marco Liuni, researcher and computer music designer, Nicolas Misdariis, researcher, team leader, and Patrick Susini, research director  ; Clément Cerles, IRCAM sound engineer  ; Andrea Cera, Roque Rivas, composers ; Pierre Navarron, sound designer.

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Photo: Nicolas Misdariis at IRCAM © Aliocha Boi

Program

Studio 5

Conferences: presentations of recent sound design realizations

3pm   
Conception of sound function for the watch industry  
Andrea Cera & Nicolas Misdariis
4pmConception of sound pieces for the tasting room in a champagne house
Roque Rivas & Patrick Susini
5pmConception de signatures sonores pour les véhicules électriques et autonomes
Nicolas Misdariis

Studio 1

Listening sessions (every 15 minutes)

Hear the sound pieces Roque Rivas created for a champagne house’s tasting room
Clément Cerles, Roque Rivas, Patrick Susini

Salle Shannon

Hands-on workshop (4:15, 5:15: 30 minutes each session)

The voice as a sound prototype tool 

Learn the process of creating a sound signature during workshop on vocal sketches
Nicolas Misdariis & Patrick Susini

Labo PDS (A24)

Workshop on experiments in soundproof cabins (non-stop)

Emotional transformations of the voice – workshop on augmented speech and conversation
Marco Liuni

Galerie

The Sound Design diploma from the l’Ecole supérieure d’art et de design Tours Angers Le Mans (non-stop)

Presentation of university trainig in sound design and student projects (2013-2018)
Olivier Houix.

Demonstration of  work by Pierre Navarron, DNSEP diploma in 2018: sonification of a tool for physical therapy 


More

News
Research

Mastering Outside the Studio. Three sound design experts explain new practices (2/5)

Article
During a location-specific mixing/mastering session, which kind of audio transformation do you usually apply to your music/sounds? Which tools do you prefer to use? Do you think that a dedicated form…
News
Research

Mastering Outside the Studio. Three sound design experts explain new practices (1/5)

Article
Meet Alexander Kassberg, head of studio at Lexter Sound Design, Andrea Cera, composer, and Nicolas Misdariis, head researcher for the Sound Design and Perception team in IRCAM’s joint research lab. T…
Encounter
Transmission

Studio 5, Live

Saturday 16 February 2019
Ircam
Education at IRCAM
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