• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • Rendez-vous in Paris
  • Intégrale 3








Sat 6 April 2019,
6:30 p.m.
La Scala Paris
Downloads

prog_integrale.pdf

Prices

Full : 18 €
Full : 15 €
IRCAM Card : 14 €

Edit
Creation
Concert






Intégrale 3

Edit






A part of the festival Intégrale
Edit






Brice Pauset uses the idea of perspective in several domains of his works for piano: perspective connected to techniques from the past—like that of the medieval cannon—as well as the perspective between writing and performance. During the execution of Perspectivae Sintagma, the pianist’s performance is constantly compared to an ideal, geometric score stocked in the computer. With his 5th sonata, contemporary to Poème de l’extase, Scriabine gives up the form with several movements and his harmonic language is structured around a generating chord. This unification is explored until his 7th sonanta, White Mass, the composer’s favorite.

Momo Kodama piano
Lorenzo Soulès piano
Eric Daubresse, Olivier Pasquet IRCAM computer music design

ALEXANDRE SCRIABINE SONATE POUR PIANO N° 5 OP. 53 ; SONATE POUR PIANO N° 6 OP. 62 ; SONATE POUR PIANO N° 7, « MESSE BLANCHE », OP. 64
BRICE PAUSET PERSPECTIVAE SINTAGMA I

Edit
An IRCAM-Centre Pompidou, La Scala Paris – Les Petites Heures coproduction.
  • Momo Kodama  © Marco Borggreve
    Momo Kodama © Marco Borggreve
  • Lorenzo Soulès  © Jean-Claude Capt
    Lorenzo Soulès © Jean-Claude Capt
  • Brice Pauset  © Alain Kissling
    Brice Pauset © Alain Kissling

Interview by Momo Kodama, pianist

Your browser does not support the video tag.

Festival Intégrale

Intégrale is the new festival created by  IRCAM and La Scala Paris. This first edition navigates through the universe of Scriabine’s sonatas echoed by works for piano and electronics by living composers. Intégrale is both a dive into the acoustics of La Scala Paris equipped with a unique sound system, a dive into the fleeting corpus of a composer—Scriabine—a rediscovery of great works produced at IRCAM, and the adventure of a new generation of performers, finding accomplishment in both the repertoire and contemporary creation.

1872-1915, the short existence of Alexandre Scriabine never hinted at a life of invention during a time of revolutions. Infatuated with synesthesia and mysticism, Scriabine used piano sonatas as a crucible for his harmonic and formal research, from his first post-romantic pieces until his black and white masses that were his final works.


Program

Concert
Creation

Intégrale 4

Saturday 6 April 2019
La Scala Paris
Jonathan Harvey, Olivier Messiaen with Marie Vermeulin and Mariangela Vacatello, piano
Concert
Creation

Intégrale 2

Friday 5 April 2019
La Scala Paris
Alexandre Scriabine, Georges Aperghis with Geoffroy Couteau and Mariangela Vacatello, piano
Concert
Creation

Intégrale 1

Friday 5 April 2019
La Scala Paris
Marco Stroppa, Alexandre Scriabine with Lorenzo Soulès and Marie Vermeulin, piano
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • Legal Notes
  • General Conditions
  • Espace Pro
Copyright © 2023 Ircam. All rights reserved.