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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation at Middle School Students
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    • Digital Workshops
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    • ULYSSES Ensemble
    • Auditors
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  • Intégrale 2








Fri 5 April 2019,
9 p.m.
La Scala Paris
Downloads

prog_integrale.pdf

Prices

Full : 18 €
Full : 15 €
IRCAM Card : 14 €

Edit
Creation
Concert






Intégrale 2

Edit






A part of the festival Intégrale
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Dans le mur: Georges Aperghis arranges a dozen electronic sequences for piano, agglomerates of fragments from 20th century piano literature, one after another. Every sequence is like a wall on top of which the soloist will try an action, not unlike an urban graffiti artist.

Scriabine offers a huge leap between the romantic heritage (Liszt and Chopin) of his early works for piano and the "demonic" tension of his 9th sonata: the universe of the piano and harmonic thought are literally pulverized in this dissonant Black Mass, powerfully aggressive, that haunted Stravinsky.

Geoffroy Couteau piano
Mariangela Vacatello piano
Sébastien Roux, Mike Solomon IRCAM computer music design

ALEXANDRE SCRIABINE SONATE POUR PIANO N° 1 OP. 6 ; SONATE POUR PIANO N° 2 OP. 19 ; SONATE POUR PIANO N° 4 OP. 30 ; SONATE POUR PIANO N° 9, « MESSE NOIRE », OP. 68
GEORGES APERGHIS DANS LE MUR

Edit
An IRCAM-Centre Pompidou, La Scala Paris – Les Petites Heures coproduction.
  • Mariangela Vacatello  © Davide Cerati
    Mariangela Vacatello © Davide Cerati
  • Geoffroy Couteau  © Jean-Baptiste Millot
    Geoffroy Couteau © Jean-Baptiste Millot
  • Georges Aperghis  © Mutesouvenir | Kai Bienert
    Georges Aperghis © Mutesouvenir | Kai Bienert

Festival Intégrale

Intégrale is the new festival created by  IRCAM and La Scala Paris. This first edition navigates through the universe of Scriabine’s sonatas echoed by works for piano and electronics by living composers. Intégrale is both a dive into the acoustics of La Scala Paris equipped with a unique sound system, a dive into the fleeting corpus of a composer—Scriabine—a rediscovery of great works produced at IRCAM, and the adventure of a new generation of performers, finding accomplishment in both the repertoire and contemporary creation.

1872-1915, the short existence of Alexandre Scriabine never hinted at a life of invention during a time of revolutions. Infatuated with synesthesia and mysticism, Scriabine used piano sonatas as a crucible for his harmonic and formal research, from his first post-romantic pieces until his black and white masses that were his final works.


Program

Concert
Creation

Intégrale 4

Saturday 6 April 2019
La Scala Paris
Jonathan Harvey, Olivier Messiaen with Marie Vermeulin and Mariangela Vacatello, piano
Concert
Creation

Intégrale 3

Saturday 6 April 2019
La Scala Paris
Alexandre Scriabine, Brice Pauset with Momo Kodama and Lorenzo Soulès, piano
Concert
Creation

Intégrale 1

Friday 5 April 2019
La Scala Paris
Marco Stroppa, Alexandre Scriabine with Lorenzo Soulès and Marie Vermeulin, piano
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