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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
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    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
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    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation
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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Intégrale 4








Sat 6 April 2019,
9 p.m.
La Scala Paris
Downloads

prog_integrale.pdf

Prices

Full : 18 €
Full : 15 €
IRCAM Card : 14 €

Edit
Creation
Concert






Intégrale 4

Edit






A part of the festival Intégrale
Edit






With Tombeau de Messiaen, Jonathan Harvey pays tribute to a decisive musical and spiritual personality: Messiaen, "proto-spectralist", rhythmist, and ornithologist. The electronic tape of a non-tempered piano envelops the tempered piano. From the harmony of Scriabine to the writing of Messiaen, this concert opens a tangible continuum in 20th century piano literature.

Marie Vermeulin piano
Mariangela Vacatello piano

ALEXANDRE SCRIABINE SONATE POUR PIANO N° 3 OP. 23 ; SONATE POUR PIANO N° 8 OP. 66
JONATHAN HARVEY TOMBEAU DE MESSIAEN
OLIVIER MESSIAEN PETITES ESQUISSES D’OISEAUX

Edit
An IRCAM-Centre Pompidou, La Scala Paris – Les Petites Heures coproduction.
  • Marie Vermeulin  © Jean-Baptiste Millot
    Marie Vermeulin © Jean-Baptiste Millot
  • Mariangela Vacatello  © Davide Cerati
    Mariangela Vacatello © Davide Cerati

Festival Intégrale

Intégrale is the new festival created by  IRCAM and La Scala Paris. This first edition navigates through the universe of Scriabine’s sonatas echoed by works for piano and electronics by living composers. Intégrale is both a dive into the acoustics of La Scala Paris equipped with a unique sound system, a dive into the fleeting corpus of a composer—Scriabine—a rediscovery of great works produced at IRCAM, and the adventure of a new generation of performers, finding accomplishment in both the repertoire and contemporary creation.

1872-1915, the short existence of Alexandre Scriabine never hinted at a life of invention during a time of revolutions. Infatuated with synesthesia and mysticism, Scriabine used piano sonatas as a crucible for his harmonic and formal research, from his first post-romantic pieces until his black and white masses that were his final works.


Program

Concert
Creation

Intégrale 3

Saturday 6 April 2019
La Scala Paris
Alexandre Scriabine, Brice Pauset with Momo Kodama and Lorenzo Soulès, piano
Concert
Creation

Intégrale 2

Friday 5 April 2019
La Scala Paris
Alexandre Scriabine, Georges Aperghis with Geoffroy Couteau and Mariangela Vacatello, piano
Concert
Creation

Intégrale 1

Friday 5 April 2019
La Scala Paris
Marco Stroppa, Alexandre Scriabine with Lorenzo Soulès and Marie Vermeulin, piano
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