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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Designing Audio Experiences on the Web – Advanced Level








January 10 through Fri 12 January 2024,
10 a.m.- 5:30 p.m.
Ircam
salle Nono
Language

French

Level

Intermediate

Prices

Full Price : 750 €
Premium Forum member price : 525 €
Student Price : 375 €

practical information

Edit
Transmission
Software Training






Designing Audio Experiences on the Web – Advanced Level

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Design and implementation of networked systems using Web technologies and the Web Audio API
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Objectives

Upon completion of this training, participants will have acquired the main theoretical and technical tools for the development of networked music performances and installations based on Web technologies and the Web Audio API.

Participants will have acquired the basics concerning the following elements

  • The main principles of architecture and protocols for real-time communication
  • Fundamental principles of synchronization and synchronized scheduling of musical events
  • The general principles of organizing a project for rapid prototyping of experiments on a large number of terminals
  • The main features of soundworks  and of the different software libraries developed at IRCAM

Public

Composers, musicians, developers, teachers

Prerequisites

  • Participants must have successfully completed level 1 of this program, or have a good knowledge of the Web Audio API, the creation of graphical interfaces and real-time communication with a Node.js server (WebSockets)
  • Mastery of the basic functions of a Macintosh computer (use of a keyboard and mouse, create and manage files and folders, use menus, launch an application)

Training Period and Organization

18 hours of training. Wednesday-Friday, January 10-12, 2024. 10am-1pm/2:30pm-5:30pm
10 students maximum

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Program

Wednesday

MorningIntroduction to the basics of Web technologies and the Web Audio API. Introduction to the main principles and challenges concerning the creation of distributed and real-time systems in a music creation context: clock synchronization, data sharing and synchronization, issues related to rapid prototyping in this type of environment, etc
Hands-on work - Setting up a development environment and first steps with soundworks
AfternoonLecture - Data synchronization, why, how?
Hands-on work - First steps with the soundworks state sharing module

Thursday

Morning

Discussion - Feedback on the elements discussed the day before
Lecture - Clock synchronization and scheduling of synchronized musical events

AfternoonHands-on work - Introduction to the use of soundworks plugins and creation of a distributed step sequencer

Friday

Morning

Discussion - Feedback on the elements covered the day before
Lecture - Using Web technologies in embedded devices, communicating in OSC with other software, for example Max or Pure Data

Afternoon

Hands-on work - Create a hybrid device mixing Web pages and embedded devices (e.g. Raspberry Pi) and use the Web Audio API in Node.js
Evaluation


Educational Resources and Techniques

  • Classroom equipped with computers with all the necessary software installed, headphones, and MIDI keyboards
  • Class Format: Training alternates between explanations on theory, and hands-on exercises
  • Educational Materials: Video-projected presentations and and class materials online

Supervision

  • Welcome the first day of training beginning at 9:45am
  • Attendance controlled; signature of an attendance sheet required every morning and afternoon
  • A certificate at the end of the program is given to each participant with the results of the exam

Assessment

  • Assessment of knowledge in the form of a multiple choice question
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