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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Aki Ito
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Aki Ito

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.Biography

Aki Ito is a Japanese composer, born in Kyoto. Her thinking about time is influenced by orbital resonance. By uniting it with slowness, which is her fundamental aesthetic, her music develops in different forms.  In accordance with her interest in astronomical phenomena, she developed the Astérismes project in collaboration with Jean-Philippe Lambert to explore flexible sound space and a type of participatory concert combining social and compositional aspects. She also leads the Parrakas Madonna project (The Bearded Madonna) for voice, cello, electronics and puppets, inspired by the Bunraku form. She is co-founder of Libratio.

After her studies at the CNSMDP, she carried out her creative projects and research on perception during residencies supported by the Casa de Velázquez, the Institut français, and the Kone Foundation. Her works have been premiered and performed by the musicians of the Ensemble Intercontemporain, defunensemble, Smash ensemble, Tuuli Lindeberg, Élodie Soulard. She has also worked on interdisciplinary projects with Richard Siegal, Frédéric Bevilacqua, and Eira Stenberg.

.2020.21 Artistic Research Residency 

Astérismes

Research Theme
Distributed system for sound diffusion via musical agents for a participatory concert in the audience.
Summary
Participative concert in the middle of the audience that can be mobile, without a stage in the front of the concert hall, with distributed sound diffusion.
In collaboration with IRCAM-STMS Sound Music Movement Interaction team

Astérismes is a kind of cooperative concert, without a frontal stage, allowing the audience's active listening to develop by making it the focus of the experience. The project is based on a distributed diffusion of sound in space with a large number of loudspeakers (Raspberry Pi system, participants' phones or other). The participants can be mobile or not, as they please, in order to develop their listening experience within the concert space. Each participant is unique while being part of a bigger movement, like stars connected in constellations. In this way, we create a common space that is both immersive and expandable.

Developing the social aspect of the concert, we propose to occupy alternative venues. The technical structure is based on web technologies and a WiFi network is simple and non-intrusive. To achieve musical coherence, the composer explores a compositional approach using combinable modules allowing both a focused listening of one module and a listening of the whole. This is important in enabling participants to navigate from an intimate field to a broader field, open to others, both sonically and socially. The project therefore requires a convergence between the development of the technological system and the compositional elements, in order to make the concepts evolve seamlessly with the creation of new possibilities but also their constraints.

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Links

  • https://aki-ito.com
  • https://asterism.es/

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Artistic Research Residency

Call for Applications from March 1, to April 1, 2022
Composers, researchers, sound artists, this call for the Artistic Research Residency is open until November, 21, 2018. Artists hailing from all disciplines can work on their research project situated…
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