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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Home
  • In October, we're listening to...
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Oct. 6, 2020
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Playlist of the month
Creation
News






In October, we're listening to...

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Season 20.21 Playlist
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Discover some works or artists programmed during our 20.21 season!
More works to discover on Medias.ircam.fr

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The playlist of the month: October 2020

  1. Répons by Pierre Boulez, 1982 (recorded at IRCAM, 2016)
  2. Play the game by Benjamin de la Fuente (Centre Georges Pompidou, 2006)
  3. take nine (for twelve) by Bernhard Gander (Centre Georges Pompidou, 2012)
  4. Entr'ouvert by Giulia Lorusso (recorded at the Centre Georges Pompidou, 2017)
  5. Tutti by Yan Maresz (Radio France, 20016)
  6. Assemblage by Roque Rivas (Centre Pompidou, 2012)
  7. Trois Manifestes by Luis-Fernando Rizo-Salom (Cité de la musique, 2009)
  8. Unfolding by Francesca Verunelli (Cité de la musique, 2012)

In relation to

Creation
Concert

Mécaniques de l'intuition [online]

Monday 5 April 2021
Centre Pompidou
Music by Mikel Urquiza, Giulia Lorusso, Francisco Alvarado & Francesca Verunelli, with the Ensemble C Barré
Creation
Concert

Fluid Mechanics [online]

Wednesday 3 March 2021
Maison de la radio et de la musique
Immersive concert, musique de Benjamin de la Fuente & Samuel Sighicelli
Creation
Concert

Ensemble intercontemporain

28 May to 29 May 2021
Cité de la musique
Music by Chaya Czernowin, Mark Andre, Bernhard Gander, Aureliano Cattaneo, Wolfgang Amadeus Mozart with the Ensemble intercontemporain
Creation
Concert

Jean-François Heisser / Miroirs [cancelled]

Sunday 21 March
Philharmonie de Paris
Music by Maurice Ravel, Kaija Saariaho et Yan Maresz
Creation
Concert

Grand Soir: Latin America [cancelled]

Friday 5 March
Cité de la musique
Improvisations, film-concerts, percussion trance, chamber concerts and large ensemble concerts
Creation
Concert
Reserve

Répons [POSTPONED]

Sunday 17 January
Cité de la musique
Anthèmes 2 & Répons by Pierre Boulez
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